Urban Allies Coming 2016
I’m not a great collaborator. I distrust my own ideas so much I hate to verbalize them to anyone until I’ve turned them into something I consider defensible, and my instinctive misanthropy makes me distrust just about everyone. I always assume creative collaborations will end in disaster: Tears, recriminations, burned houses and stolen cars.
In fact, I can count on one hand the number of times I’ve actually collaborated with someone more or less willingly. Let’s see … in 1993 I started to collaborate with three friends on what would eventually become The Inner Swine, but it wasn’t until it completely fell apart that I wound up publishing the first issue. In 1996, I collaborated very successfully with Jeof Vita on the Sliders comic “Blood and Splendor,” an event explored in this award-unwinning documentary:
Jeof and I tried to keep that partnership going, writing one script and discussing several other projects before life and our mutual hatred of each other split us apart.
More recently, Sean Ferrell and I have collaborated on a series of short videos known as Two Men Have Words, typically with one of us writing a script and providing basic direction, and the other tossing in ideas and improvisation. Although neither of us wants to take credit for anything specific.
That’s about it for me and collaboration. A few months ago, when I was invited to participate in a new anthology called Urban Allies that would involve authors of so-called Urban Fantasy novels writing collaborative stories featuring each of their characters somehow sharing a story, my first question was, how much will I get paid? And my second question was, do I have to actually speak with the other writer?
Turns out, I did. I was teamed up with Stephen Blackmoore, who would be bringing his character Eric Carter to the table. This was obviously a match made in heaven for many reasons, chief among them the fact that Eric Carter and my own Lem Vonnegan would get along famously when they weren’t plotting against each other or scheming the last free drink from each other. This, I thought, is going to be fun.
And it was! The story we wrote for Urban Allies, “Crossed Wires,” was a blast to write, because we kept handing it off to each other and being surprised by what we got back. You might think blending two complex universes (and slightly different magic systems) in 15,000 words would be difficult, but we made it look easy. Because we’re geniuses? OF COURSE because we’re geniuses!
Does this mean I’ll be collaborating more? Unlikely. I suspect Stephen and I worked together well as an exception to the rule, and my general feelings on collaboration haven’t changed — I have too many of my own ideas to work out to spend much time on someone else’s. But if Stephen Blackmoore ever wants to work on another Lem/Eric crossover, I’m in. Also, if he wants to buy me a lot of drinks because I’m so cool, that’d be fine too.