One mistake a lot of writers make is to forget to look at their work like a reader. Writing requires a certain mind-frame, a distancing from your subject matter. You have to be a sort of dispassionate god of your fictional universe, moving chess pieces around and casually destroying villages and slaughtering populations, putting your hero in jail or murdering their wives.
But you can take that distance too far and get lost in your own references, your own cleverness, your own intricate technique. And you can get too attached to the plot you think you’re writing, and ignore the fact that it’s not working and getting less and less interesting, because you’re thinking too much like a writer, impressed with how you’re solving plot problems that a reader would never even see.
If you’re finding the book to be a bit of a struggle, if you’re less and less excited about what you’re doing, it’s time to step back and think more like a reader—and surprise yourself with a plot move that even you weren’t expecting.
When I was a very, very young novelist I wrote a sci-fi novel—the first novel I sold, technically (there was a contract, but the company went out of business before it could publish)—and I got bogged down halfway through, uncertain of where I was going. So I suddenly had the main character arrive at a planet where magic appeared to work in a standard sort of epic fantasy setting. And it was delirious and insane, but it got me super excited about how to tie everything together, and that’s what led me to finish the novel.
The Crazy Ivan
This sort of out-of-left-field plot device is a bomb that blows up your narrative, of course. You were writing a police procedural thriller, and suddenly vampires show up and start tearing people apart. You were working on an epic fantasy about a religious war in a universe where the gods are alive and involved like the old myths, and suddenly it’s revealed as a holographic illusion that’s contracted a computer virus. All your careful plans, ruined.
But ruined in an exciting way, because for a moment you’re just as amazed and stunned as the reader would be—and that’s powerful. You get a glimpse of what it would be like to actually read your novel without any idea of what’s coming.
And, sure, it’s probably disaster. Those kinds of crazy swerves can destroy the clockwork of your universe, undermine characters, and generally sow nothing but chaos. But if your story isn’t working anyway, why not? Throw some magic into a hard-sci fi world, and see what happens.
Or get really, really drunk. That sometimes works too.
… or get all your characters drunk… 🙂