Goodbye, Year

WE’RE in the end game, now.

Normally, I live my life like one of those only-in-movies characters who has some sort of specialized amnesia that makes them wake up every day like Frosty the Snowman, without any memory of their lives before. I live in the moment, not because I’m living like I’m dying as Tim McGraw instructed us, but because my brain is weird and crumpled and I am almost incapable of remembering anything that didn’t happen within the last few hours.

Oh, I remember things, kind of. They’re vague impressions. Let it drift. I’ll never remember your name, don’t be insulted. I often confuse my many, many Catholic cousins named Mary and John. Let it drift

Around this time every year I like to look back in anger on the year in writing I just had. It’s fun. And depressing. I am a man obsessed with statistics pertaining to his own existence, as if the number of things I accomplish will somehow protect me from being completely forgotten within a few decades of my death, unless I am lucky enough to die embracing another man under a mountain of hot ash and am discovered centuries later by fascinated scientists wondering about our relationship. So in these sorts of posts I like to tabulate stuff and somehow equate it with accomplishment, to stir up the illusion of forward motion. I am that guy who measures his life in coffee spoons.

MY YEAR IN WRITIN’

So this is Xmas, and what have I done? On the freelance side of things, I had a good year with a sad ending; I picked up a few new jobs (most notably over at BookBub, which has been a blast) but of course the Barnes & Noble blogs shut down, which was a total bummer. I’ve been writing for the B&N blogs since 2014, and it was an incredible experience. Not only did they pay well, the editors were uniformly smart, fun, and excited about books. It’s been a few weeks since the news, and I still can’t get used to not pitching every idea I have about books to them. (Seriously, I pitched a lot to my B&N eds. They must have braced themselves every time one of my pitch-bomb emails arrived).

Still, freelance-wise this was a good year. Anyone who pays their bills by writing words knows that every day is a fresh opportunity to starve to death, so making it to December without having done so is a triumph.

Fiction-wise, also not bad. I finished 11 of my monthly short stories, so far (and trust that I will finish #12 in a few days even if I have to kill all the characters in a plane crash). I also finished 4 other stories outside of that monthly exercise. I didn’t complete any novels this year, but I’m 50k words into one and 40k words into a short-story cycle, so I wasn’t napping. I also finished and completed 50k words worth of novella-length parts of the new Avery Cates novel The Burning City and published them, so there’s that. And my agent has two novels in hand that we think have legs, and that’s never a bad position to be in as an author.

I submitted a ton of stories (74, to be exact; note this doesn’t mean 74 separate stories, but 74 submissions of a few stories I currently think are great), as usual, and sold three of them, of which two have published: The Company I Keep in Life is Short and Then You Die, edited by Kelley Armstrong, and Zilla, 2015 in The Lascaux Review. My system for submitting stories is sloppy and disorganized and probably favors volume more than it should, but it is my way.

And I started a podcast, like everyone else in this sadly imitative world. The No Pants Cocktail Hour actually launched in December of 2018, but I produced 16 solipsistic episodes this year and had a blast talking about myself, as usual.

So, the stats say I had a good year. Active, creative, somewhat lucrative. I hope your own writing year was a good one. Tell me about it in the comments, or on Twitter, or by tracking me down in a bar and leaning in too close and putting your hand uncomfortably on my thigh as you tell me the tale with far too much detail.

Happy 2020, folks. It’s coming whether you’re ready or not.