Writing

The Role of Terror and Jealousy in Writing

Trickster by Jeff SomersSo, I have a new book series coming out from Pocket Books. Trickster will be out in early 2013 and its sequel will follow. Also a digital-only short story in-between the two novels. I really excited, of course. These will be my seventh and eighth novels published, and let me tell you, right up until I sign the contract for the ninth I will be convinced they are also my last. That’s how it goes.

Here’s the story of Trickster in timeline format:

1995: I write a story titled The Night will Echo Back at You which deals with magic spells cast via blood sacrifice in the modern world. I never submit it anywhere. It’s one of those stories that I like in concept but is kind of dull in actual execution.

1996-2010: Nothing much happens. I drink a lot. Sell some other pieces of writing.

2010: Having finished the final Avery Cates book, The Final Evolution, I go to Bouchercon in San Francisco ostensibly to try to expand my audience into the thriller/mystery crowd but really so I can follow my agent around and surreptitiously order booze on her dime all day long (it worked!). Bouchercon teaches me two things: No one knows who the hell I am, and there’s no guarantees that I’ll ever sell another book. I was suddenly incredibly jealous of all the authors around me who had bigger followings, and terrified that I’d never publish again. The sheer energy of everyone around me busily promoting their work got under my skin.

I’d been planning to expand upon this old story anyway. Terrified and jealous, I wrote 10,000 words on the plane ride home. Most of those words survived into the final version of the book. That doesn’t always happen.

Fear is a great motivator for me when I write. Fear that it will suck, that no one will ever read it, that I’m actually not nearly as good a writer as I think I am. It gets the juices flowing, let me tell you. Some books get written peacefully over the course of years. Some burst out in an explosion of terror. I think I’ve done good work both ways, but I also suspect that fear is always down there, bubbling, churning the wheel that drives it all. Even if I’m not bug-eyed terrified like I was on that flight home, chugging tiny bottles of bourbon and garnering suspicious glances from the flight attendants (the strip search in Newark airport upon landing was no fun) the fear is still there, driving me.

It seems pretty obvious to me that if you’re satisfied, you don’t do anything. Maybe this is why so many artists bog down in middle age and stop producing good work; they hit a certain level of material comfort and are satisfied. Fear comes in many forms, and for some maybe the fear of starving to death is all it takes. Me, I don’t mind starving to death. Being ignored for the rest of my life is what gets my goat. I could live in a dumpster and drink antifreeze (not as bad as you might think – it’s got an oakey, spicey finish) and be okay with that. Tell me I’ll never sell another book and I’ll burst into tears.

The real question is, does the type and level of fear have anything to do with the level of work you produce? As an experiment perhaps I should be locked in a cage with two hungry bears and a laptop. See what happens. Well, we know exactly what happens: Bear porn. Don’t ask.

 

Interview with Little Old Me

Larry Gent interviewed me a while ago and the glorious results have been posted:

http://42webs.wordpress.com/2012/08/13/panic-view-jeff-somers/

What is your favourite book/author? Why?

I don’t have one! I do have writers I am hatefully jealous of, and would kidnap, Misery-style, at the first opportunity. But I should probably not implicate myself in any future mysterious kidnappings of famous authors, so let’s change the subject. To your original question. Which I suspect you are impatient for an answer to. I just ended that sentence with a preposition. I am a horrible writer. Yes, I’m a little drunk.”

Go read it. Because I am fascinating.

Excerpt

Here’s an excerpt from an unpublished novel. Just a piece of writing I like, presented without context.

XII. Monday

I knew Lindsay the Doctor from High School. I knew this, although I didn’t remember much from High School. My childhood at all, really. My past faded. A few years down the line, it was like stuff never happened. People would show me photos – Tommy in a cowboy costume, Tommy screaming at some concert, Tommy playing guitar with a cigarette in the corner of his mouth at some frat party – and there was nothing. No glimmer of recognition. Like it was a different me doing all that, all those years ago.

I was a perfect organism. Unencumbered by past failures or triumphs.

It was all still there, though. If I concentrated, if I had a reason, I could pull it all back out of the dark moldy folds of my brain, the complex chains of acids and chemicals that formed memories. I rarely tried very hard. There was nothing for me there.

Lindsay, I remembered. She was useful to remember. She was pretty but not beautiful. The kind of girl you chatted up energetically at a bar and then spent the morning wishing fervently would leave. Super smart. Fucking Bond Villain smart. In High School, she’d been insecure and desperate, got high a lot, always had drugs, put out like a French Quarter prostitute and spent a lot of her time crying. Naturally, I stayed in touch.

In college, she’d done well. Professionally. Pre-med, good grades piled up. She was fucking brilliant. Could read a book in an hour, remember everything. Said she hated her brain, because she couldn’t forget. Anything. It all stayed there. Every insult, every back-seat date rape, every humiliation and menstrual cramp, burned in. If we bred, our children would be Supermen.

She was already making money selling. Pills, mainly. Pills were plenty. She also sold gear. Syringes, ampules, whatever. She got contacts to write scrips for a premium. Her dorm room was fucking party central, something out of a movie. People everywhere, getting stoned, Lindsay always stoned, but always somehow showing up for finals and getting fucking perfect grades. And when she went on to med school and I went on to a lowly perch in corporate America’s gut, I kept in touch. I remembered her. I forced myself to, because she was too good a resource.

And she appreciated being remembered. Most of her old friends had moved on. Most of her customers forgot her the second she shut the door behind them. I always reminded her how cool she’d been in high school. A rebel. A smart, pretty girl who liked to party. I told her high school story like a fucking teen comedy film, leaving out the crying jags except when I’d been there to manfully put an arm around her – a bonding moment for the main characters – and the occasional six-month depression. I shaped her adolescence into a fucking magical time of freedom and triumph, so she liked having me around.

She told me people wore her out on Oxycontin. Wore her out. That’s all they wanted. She was fucked up to gills all the time herself. Handfuls of pills, a bottle of vodka in her locker, in her glove box, in her backpack. She was thin and yellowed and her hair got brittle, she looked like fucking death but she pulled through her residency with flying colors. Told me she maybe killed two, three people by accident, but seemed kind of surprised by that stat. Like she knew it should have been more. Told me doctors killed more people than you would imagine but covered for each other. Invented symptoms, scotched up test results. She said most doctors were shit, they fucked up all the time but covered it all up so they could continue killing us.

She also told me doctors earned shit. Until they were out of residency, at least, and then only if they were specialists. And then only if they were fucking incredible. Most doctors made decent livings, but weren’t rich.

I didn’t do drugs often. I liked drugs fine, but the quality control issue bothered me. You buy something from some asshole, who the fuck knew what you were getting. Booze was safe. Regulated. Your chances of drinking a bellyful of antifreeze instead of bourbon were essentially zero. Your chances of blowing a rail made up sixty-five percent rat poison were essentially one hundred. But pharmaceuticals, from a fucking pharmacy, passed on a scrip? Fuck all. Why not.

Time had not been kind to Lindsay. At her messy, tight apartment downtown, she paced and chewed her nails. Her apartment had a layer of her dust on top of the dust that had been there when she’d moved in. A sublet. A sweet sublet, rent-controlled. She was paying practically nothing for a one-bedroom. And treating it like her dorm room. Shit everywhere. Hadn’t been cleaned, period. Like, since it had been built, first not cleaned by the Italian or Irish immigrants who packed into it, desperate and unwanted. Then not cleaned by generations of increasingly upscale slummers who could have afforded some shitbox studio in midtown but chose to beat the system and pay pennies on the dollar for a place with atmosphere. The place smelled, felt tight and hot, like we were buried under ash.

Her apartment made my skin crawl. I sat there with a theatrical smile on my face.

Lindsay had a small path to pace in. Eight feet, spin, eight feet. A canyon formed by piles of boxes and books, clothes and plump, swelling garbage bags I suspected should have been taken to the curb months ago. She smoked and chewed and spat little pieces of herself on the floor, telling me about it. Pills to wake up in the morning, pills to stay sharp during the day, pills to go to sleep at night. Dark bags under her eyes. Lindsay fucking up almost too much for even her fellow doctors to cover up. Dozens of people, now, she said. Dozens dead.

She kept telling me this as she paced, smoking a cigarette, hands shaking. Dozens. She’d killed dozens now. Nodding off during procedures, getting all blurry reading tests, writing out preposterous prescriptions that were filled without question, making hearts explode and livers fail.

Sure, sure, I kept saying. Soothing. I felt like I was back in school, trying to fuck a Sad Girl. You had to coax the Sad Girls. You had to listen and listen and listen and rub their back and tell them they were special and beautiful and of course you understood and then you had to listen and listen and listen again, and rub their fucking back and murmur kind words of support. And again and again, endlessly, your appetite for it directly proportional to how hot she was, how big her boobs were, how long her legs were. You did it long enough, you put in the time, the Sad Girls lay down and spread their legs and you got in. And then you made them more sad, but that was the next asshole’s problem.

Lindsay was like that. Pacing, making me dizzy. Smoking and talking. And talking. She was being watched. She was going to lose her license. She was being sued by so many people now, and she was going to lose her malpractice insurance. She was fucked. All I wanted to do was buy some pills from her, heavy duty stuff that you could calm a gorilla with. But I had to sit there and rub her back and say sure, sure and tell her she was beautiful so she would lay back and put her ankles in the air and sell me some fucking pills.

She had a plan. She was selling everything. Everything Must Go. Caution to the wind, she was moving more fucking drugs out the door than she’d ever dared. She was going to sell everything she could, fucking bankrupt the hospital, screw all of her doctor friends, and put together a tidy amount of money. Move to Mexico. She knew an American doctor with a license in any state could buy a license in Mexico for a few grand. She’d set out her shingle in some shithole town and make burrito money stitching up cuts and diagnosing asthma, and live off her wad.

Except, except, except, as she paced back and forth back and forth, smoking and picking at a scab on her arm, except she wasn’t piling the money up. She didn’t understand it. She was selling so much shit, like really setting records with it. Call the Guinness people, doctor who sold more prescription drugs than ever before in history, it was her. But she didn’t have a ton of cash. It just melted away.
I rubbed her back. I told her, sure, sure. It was a fucking mystery. Unsolvable, unless you put a face on the Cosmos and made it all angry and mean. The universe, fucking with her, stealing her money. I watched her scratching at herself. A real mystery.

Suddenly, she spun and asked me if I wanted a drink? Some music? Suddenly we’re on a date. She smiles at me. Tomwallace, she says. She did that, said my full name as one word. It was a thing. Tomwallace, she says, thanks for sticking with me.

I shit my pants. She’s going to cry. Jesus fucking Christ, all I want is a bottle of horse tranquilizers, and now I’m starting to worry I’m going to have to fuck her to get them. She’s giving me that dewy look. Like she actually believes we are some epic love story. She’s the Ungettable Girl, super smart and pretty and successful, and I’m the nerd character, the puppy dog loser who’s always there for her but never noticed. Until that one fateful night when something epic and tragic happens, and the Ungettable Girl looks over at me, the pop music swells, and I get her.

Holy fuck.

Failure was not an option, however. I rubbed her back. I told her, sure, sure. I was prepared to dive in. To peel back those sweaty panties and wear three rubbers and do whatever it took. I said I’d love a drink. I said I’d love some music. I retold an old chestnut about us in high school, showing up for a dance humming to the gills on brandy and mystery pills she’d doled out, everything slippery and hilarious. How she’d caused a sensation by dancing with abandon with a series of boys. I left out the part with her ending up in some jerkoff’s Mustang, getting felt up until she puked suddenly, an explosion of puke with no warning signs sprayed all over the jerkoff and his upholstery. I edited it. I cut the end and faded out on her dancing, dancing, dancing, everyone clapping and excited.

She raced around the place as I talked. Handed me a dirty glass of sour red wine and raced around. Put the radio on, the old-fashioned over-the-air radio. Swing music. Jazz. Sophisticated. Raced around, disappeared into the bathroom. Terror seized me. I pictured her doing a hobo bath in there, wiping herself down, spritzing on deoderant over the old deoderant, taking the five birth-control pills she’d forgotten this week all at once. Sweat popped out on my face. I told myself I could do this. Wallace men had fucked some pretty horrifying things in their desperate quest to pass on their genes; one mildly skanked out junkie doctor was nothing to write home about. My ancestors would laugh at me and mock my fancy ways.

I stood up, setting the glass of not-precisely-wine-anymore on the filthy, cluttered coffee table, and started moving towards the bathroom. If this was going to happen, I was going to take control and do it in the best possible way for me. As I walked, I tried to ignore the persistent smell of body odor, the thick feel of the air. I didn’t think about what was crackling under my shoes like dessicated beetles. I was going to go in. I was going to rub her back. I was going to say, sure, sure.

I knocked. No answer. I pushed the door in and stood there for a moment. Lindsay was sprawled on the floor. Passed out. I saw her chest rising and falling. For a second my ancestors crowded around me, urging me to fuck her anyway, a deal was a deal was a deal.

I looked around the bathroom. It was, of course, a level of disgusting I’d never encountered before. I was going to have to check into a hotel, burn my clothes, take a shower that was about one degree less than lethal, and possibly shave my head, before I could go back to my own apartment. The only thing that could be said in Lindsay’s favor was that she appeared to still be using the toilet for its assigned purpose instead of just shitting on the floor.

I decided to leave the bathroom search for last, and thank god, because she hadn’t even hidden anything. It was just piled up on her gritty bed. Pills in thick clear plastic bags, piles of them. Syringes, rubber tubes, small glass bottles – everything the ambitious drug user could want. I took a single bag and examined it, noting the cute little OC stamped on one side of the little pills. I stuffed it into my pocket and sifted through the syringes, all packed in neat little sealed plastic baggies. I’d no idea how many fucking types of syringes there were. I sorted through them until I found a nice long one, thin like a bit of wire. It looked sturdy enough to be pressed down through a cork.

I paused and looked around her bedroom. Dirty clothes everywhere, junk food containers, dust. On her dresser she’d arranged an implausible number of framed photos. Of herself. Other people, but always her. Always her from years ago – smiling, young, with healthier hair and fewer bruises. I saw myself in one, a smaller one, faded and blurry. Me, skinny.

I walked over and picked it up. I had no photos. I didn’t keep them. People sometimes sent me pictures; I threw them away or deleted them. I stared down at it. It was my lines, my shape. But it wasn’t me any more. I put it back where it had been, right exactly into the clean spot on her dresser, turned and went back into the dark, stuffy living room. I paused and listened. I looked around, thinking whether I’d left anything, sloughed anything off I was going to regret later. There was nothing.

I stepped out into the hallway. Music, somewhere, sopoforic and muffled. Ten thousand dinners stretching back to the 19th century crowded into my nose. I shut her door behind me and thought about calling an ambulance. Then, didn’t.

Performance Vs. The Wizard of Oz

THIS IS NOT THE PROBLEM.

THIS IS NOT THE PROBLEM.

A few years ago, The Duchess decreed that we would take a trip to Paris, as wives are wont to do. I was, of course, powerless against her wishes, despite the fact that my own desire to visit the City of Lights hovered around zero – nothing against the city, of course; I’m just unconvinced that it matters whether I visit or not, and I can be overcharged for things by rude people right here in the New York City metro area. Still , Jeff merely pawn in game of life, so I started making my preparations for the trip, which included learning some French. I have a personal rule that states I must at least have some grasp of the language of the country I am traveling to. I will not be one of those American tourists who runs around saying “English, motherfucker: Do you speak it!??!”

I worked on French for months. I do not have a brain designed for foreign languages, so this was a struggle, but I did manage to learn at least basic French, enough to get by on. Proudly, I went to Paris with my wife … and promptly choked. Every time I tried to use my French, I screwed it up. Mispronounced things. Forgot words and phrases. Every attempt ended with a sardonic Parisian asking me if I was American, then speaking in English. Slowly, as if to a retarded boy.

I am not a Performer.

Some people thrive on the Performance, the pressure of having to do something in front of other people on demand. Some writers are like this. They can elevator-pitch a story to an editor in the middle of a conversation, they can sell an idea. I’ve never been good at that. I much prefer to keep my ideas to myself and then reveal them when I feel more confident, when I have something more or less complete and more or less coherent.

The downside to this, of course, is that sometimes you only find out that people think your idea is crap after you’ve spent 300 hours and tons of energy on developing it. This can be a bit of a kick in the balls. Believe me, it’s happened to me. I once wrote an entire novel based on a vague conversation with an editor only to have that editor send it back with a dead rat in a box. True story. Figuratively.

You have to work with what you’ve got. I know I’ll never be the guy who can make you want to read a book of mine based solely on my passionate pitch:

YOU: So, what’s the new book gonna be about? Vampires? Sluts? SLUTTY VAMPIRES?

ME: Well, um, I had this, er, idea, after eating too much Chinese Food and drinking too much whiskey – which, you know, never ever eat Chinese Food with whiskey it DOES NOT go together well AT ALL – and so I had this idea, where this guy, like nothing he does feels right to him, you know, like people tell him something’s fun and he tries it and it isn’t fun at all it’s awful and he eats things people tell him to eat and he hates it and stuff like that and slowly he starts to realize this is because everyone is lying to him all the time and oh! I forgot about the aliens.

YOU: Aliens?

ME: Yeah! They sing. And that’s pretty much it.

YOU:

ME: I’ll let myself out.

YOU: Yeah, I can’t even look at you right now.

Oh well. When I do finish a book and deliver it to folks, I usually get at least 85% the reaction I want. Which isn’t bad! The point is, sometimes I’m pretty sure the idea, diffuse and vague in my head, is actually pretty good, it’s just my inability to speak it coherently that’s the problem. My inability to speak coherently has been a problem since I was 13, actually. Which, coincidentally is the year I discovered liquor. Funny, that.

The Sex Scene in “Lifers”

Lifers by Jeff SomersOn the insane assumption that any one cares, I thought I’d tell the story of the sex scene in Lifers, my first published novel.

It wasn’t in the draft submitted to the publisher (a cold submission, with no agent, pure slush to a tiny publishing company), which is amazing, because the final, published word count for Lifers was 39,616. Thirty-nine thousand words. This barely qualifies as a novella, much less a novel. So the fact is, the book was even shorter when I originally submitted it. The fact also is, I am a lazy, lazy man. If I ever become supersuper famous and powerful as an author, expect my novels to start being about 5,000 words long and written in bullet-point fashion, in huge 24pt type. Or possibly expect to be contacted by my people to write some novels for me, which might be better, if slightly more expensive.

But I digress.

When the publisher contacted me about buying the book, they were looking at it from a “Gen-X” point of view. For those of us too young to be Gen-X, this was back when being a twenty-something in the 1990s meant you were automatically a desirable market. As opposed to being middle-aged in the 2010s and realizing no one wants to sell you anything. YOU BASTARDS! MARKET YOUR AWFUL ENERGY DRINKS TO MEEEEEEEEE!!!

When I spoke to the editor on the phone about the book, he told me he thought the only thing the story needed was, in a word, sex. This was his sole editorial note. Looking back, this should have been some sort of warning sign for me.

Anyways, I was delighted with the offer to publish, of course. They were offering me $1000 as an advance, which in 1999 dollars was actually like $1003 today, and as a percentage of my gross annual income was about 75%. So, yeah, I was excited. Do you know how many packages of Ramen Noodles you can buy for $1000? LOTS.

I thus took his sexy suggestion seriously, though I wrestled with it for a bit. After all, I’d never been seriously edited before, and was generally convinced of my innate genius. The book was perfect! This clashed with my desire for the immense riches my debut novel was sure to generate for me (HA!), so I decided I would read the book over, see if there was a place for such a scene, and if so, write it. Then I could decide if I’d just ruined a perfect story, or improved it, or maybe just left it neutral.

In the end, I wrote a scene wherein the narrator has a one-night stand. It’s ridiculous and humiliating in that he’s almost not a voluntary player in it, and I ended up liking the scene a lot, as it speaks to the character a bit and it’s also one of the few scenes in the book where the narrator is apart from the other main characters. It ended up being a good addition to the story, though I don’t give that much credit to the editor at my publisher, who, I don’t think, even read the new manuscript when I turned it in. For him, he just wanted some sex in the story because young people like sex. End of story.

Of course, I was not put on this world in order to write erotica. Believe me – please! – this is not my purpose in life. We should all, in fact, take a moment to bow our heads and offer a moment of thanks that I have not been asked to repeat this experiment.

The lesson there, if there is one, is that any feedback or revision to a story has the possibility of improving the story. It doesn’t matter what the genesis of the note is. All that matters is what you do with it. That and that you can, apparently, sell a 40,000-word “novel” without an agent, a clue, or any clear idea of what a contract means. Incompetence, ho! And also, too, writing a sex scene involving stuffed animals, shame, and painful regret is not, apparently, sexy. At all. Or so I’ve been told.

Lifers is now available for $0.99 on Kindle and Nook, by the way. Just sayin’.

The Futility of Writing

The following originally appear in The Inner Swine, Volume 11, Issue 4.

until drops of blood form on your forehead

The Futility of Writing

Brain Surgeon. No, really.

Brain Surgeon. No, really.

PIGS, when I was but a wee little one in Jersey City, before the standing-on-a-corner-drinking-blackberry-brandy period, I wanted to be a brain surgeon. The reasons for this desire are now obscure; possibly it had something to do with The Six Million Dollar Man. Possibly it was simply an easy answer to the endless questioning by tiresome adults about my career plans—adults were always asking us kids what the fuck we wanted to be when we grew up, and Brain Surgeon was a good response as it got a lot of grins and impressed gestures from the questioner. I coasted along with the whole Brain Surgeon thing for a few years, probably giving my poor parents—who probably hoped I’d magically evolve into some sort of athletic prodigy and earn scholarships to pay for school—a lot of sleepless nights as they contemplated the roughly 55 years of medical school such a profession requires.

Of course, I didn’t really want to be a brain surgeon. The only ‘profession’ I’ve ever desired is Writer, and as every writer in the world knows, the ‘profession’ of Writer is similar to the ‘profession’ of Sorcerer: Very cool sounding but usually only existing in movies and fantasy stories. Because no one makes any money at writing, ever, so it isn’t really a profession. But when I was six I didn’t realize writing was something I might someday palm off as a profession while standing on line for my food stamps, so Brain Surgeon it was.

And then, some time around grade three, I began to slowly realize that in order to become a Brain Surgeon, I was going to have to master math. Shortly after that came the aforementioned  standing-on-a-corner-drinking-blackberry-brandy period, and that was the last I thought about a career until I was twenty-two, waking from a lengthy alcoholic haze and realizing I needed a job, and right quick. And also too a change of clothes and a bath.

Somewhere in between, I sold my first novel, White Rabbit.

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My Favorite Poem

Call Me

The eager note on my door said “Call me,”
call when you get in!” so I quickly threw
a few tangerines into my overnight bag,
straightened my eyelids and shoulders, and

headed straight for the door. It was autumn
by the time I got around the corner, oh all
unwilling to be either pertinent or bemused, but
the leaves were brighter than grass on the sidewalk!

Funny, I thought, that the lights are on this late
and the hall door open; still up at this hour, a
champion jai-alai player like himself? Oh fie!
for shame! What a host, so zealous! And he was

there in the hall, flat on a sheet of blood that
ran down the stairs. I did appreciate it. There are few
hosts who so thoroughly prepare to greet a guest
only casually invited, and that several months ago.

— Frank O’Hara

Jesus. If I could write one thing like that, I’d die pretty happy.

The! Inner! Swine!

The Inner Swine Vol 17, Issue 3/4The new issue of my zine The Inner Swine is ready. I have a pile of paper here that is slowly being transformed into issues, which will then slowly be folded and stuffed into envelopes and mailed out. The key word being slowly.

In the mean time, the Kindle and Nook editions are available right now! Technology is amazing. The issue is 100pp long and the Kindle/Nook versions are each 99 cents and differ from the print only in that they lack most of the images. Go buy them and tell me I am a genius:

KINDLE

NOOK

Thank you for your support.

Showing

Breakin' BADThere are, believe it or not, still people in this world who do not own a television and like to communicate this fact with pride, as if it underscores their intellectual bona fides. Now, I don’t much care if you own or watch TV, or what you watch, but I have always believed that condemning an entire media as substandard is just intellectual vanity. It’s proving a negative: You don’t own a TV because you are too smart to fall for that dreck.

Whatever. I’ve been watching Breaking Bad from AMC recently. As with most things, I am several years behind the curve. I am not, as the kids said in 1985, hip. Whenever I start to hear about a good TV show I play coy, refusing to check it out until 5 years later. Part of this is because I myself have intellectual vanity and I like to think that if I haven’t discovered it independently it can’t be good. So if I wait long enough after you tell me about it, I can pretend I found it all by myself, because I am a genius.

Blogging ain’t pretty.

Anyways, after years of reading that Breaking Bad is a great show, I started watching it a few weeks ago. It is, in fact, a great show. I’m in the middle of Season 3 right now, so I haven’t finished the run, so much of what I’m about to discuss may be incorrect if you’ve watched it all the way through, who knows. Still, 66% of the way through, I’m damn impressed, because Walter White may be one of the greatest depictions of a character in history. Not necessarily the best character, but the best depiction of a character. Because this show takes that old writing class saw “show don’t tell” and makes it into a work of genius.

Spoilers, for those who care, follow.

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