Bullshit

Why Jon Snow’s Stupidity Matters

Derp.

Note: This is discussing the TV show Game of Thrones specifically, ignoring the books.

Far be it from me to drag on people who are selling millions more books than I ever will, or attracting millions more eyeballs than anything based on my books ever will (unless I finally do my Pantsless Dancing exercise video, in which case: Watch out, world!) but it’s time to talk about how astoundingly dumb Game of Thrones has gotten in its later seasons—specifically the character of Jon Snow—and why it matters from a writing point of view.

We don’t know how close to the books the show is right now; Martin may have a much better handle on the story and the characters, and it’s been discussed to death how Game of Thrones is on an accelerated pace right now in an effort to finish the story before we all get collectively tired of it. I can forgive, therefore, the compressed and nonsensical time frame; after all, no one wants to have six episodes of Jon Snow slowly making his way to meet Daenerys in a damned rowboat, passing the time by chatting with Ser Davos about their unhappy childhoods and fighting sea monsters. Okay, maybe the latter, a little.

Side note: How is it possible there are no sea monsters in Westeros? For serious.

The time thing doesn’t bother me. Sure, it’s shitty storytelling, but there are economic factors pushing them, and I can still enjoy the show despite them. No, what bothers me is that Jon Snow is fucking stupid. And not in a defensible way.

Da King In Da Norf

Jon is a major character in this show (again, the future books may be different [and thus, better]), and might even turn out to be the ultimate hero/survivor in all of this. And the problem isn’t so much that he’s stupid, but that his stupidity would not exist in any slightly realistic universe. IN a realistic universe someone as stupid as Jon Snow would have choked on something as a child and died, or possible fallen down a hole and starved to death, or maybe have accidentally stabbed himself with a dagger. Here’s a few quick rundown of the disastrous decisions Jon Snow’s made in recent episodes, going back to the end of last season:

  • Allowed himself to be baited into a solo charge at the Battle of the Bastards, setting his army up for annihilation (prevented only by the fortuitous arrival of Sansa and Littlefinger)
  • Abandoned his kingdom to go personally visit Daenerys, bringing just a small honor guard
  • Allowed that honor guard to be immediately disarmed, like without even a shrug
  • More or less allowed himself to be a prisoner with no reason to believe it would work out aside from having copious amounts of Plot Armor
  • Came up with this absolutely shit idea that they needed to have a wight on hand to prove to people that the Night King for reals, yo
  • Decided that he had to manage this task personally
  • Then brought about a dozen people with him on the raid despite having a fucking army at his disposal, without bothering to tell his sister what he was up to as she sits in Winterfell ruling in his stead (this despite the fact that apparently he can send Ravens like super fast anywhere he wants)

I could go on. Should I go on? No.

The simple fact of it is that this is shit writing. Even if we assume for a fun moment that getting a wight to show off to the doubters is necessary, any sane King in the North would delegate the task to a trusted lieutenant (Tormund, we’re looking at you). There is simply no need for Jon Snow to actually be in the north personally. And we’re supposed to believe that Jon is a smart, solid choice to be King of the North. His entire character arc is a guy who was and literally knows nothing to the one woke bastard in all of Westeros who sees the true threat. So he really shouldn’t be this terrible at the job.

There is, however, a plot need for Jon Snow to be in the north. The showrunners want Jon to be the badass, they want him to be the one to put together the puzzle pieces for defeating the Night King, and they wanted to demonstrate the growing and completely icky and nonsensical love affair brewing between secret cousins Daenerys and Jon. So they sent him up there despite the fact that it’s dumb. In short, since Jon’s arguably the main character at this point (or at least the focal character for the moment), he needs to be in on all the major plot developments.

Forget the timeline. Forget the fact that the Night King has been marching his wights for about six months and is still miles away from the Wall. This is the problem: Shit writing. Shortcuts in the service of smart plotting I can forgive, but shit writing that ignores the rules of decent storytelling deserves to be mocked.

Of course, I’m still gonna watch the show, because watching dragons burn the everliving shit out of wights is fun, dude. Bad writing can be entertaining. It’s still bad.

As you were.

 

Walking the Walk

Kids, I like to walk places, which makes me a little weird in modern-day America, where people apparently think walking three blocks to a store is pure insanity. One of the things I love about Hoboken, my home town, is its walkability. I don’t own a car currently, and don’t need one; literally everything I need is within easy walking distance, as long as you define “easy walking distance” as the distance that a normal adult in good health should be able to walk without complaining, passing out, or falling into some sort of storm drain. For me, that’s about 3-4 miles.

Now, some folks react to the fact that I walk 3-4 miles every single day with a bit of incredulity, as if spending hours at the gym working with machines is much less weird than simply walking around for exercise, but that’s okay. My brother, Yan, actually walks a lot more than I do. He often spends entire days just walking around. The man could use his legs as Jaws of Life in crash situations. So I’m not the weirdest Somers, which has always been my only true goal in life.

I like walking, what can I say? And when you walk around town every day like I do, you see some shit.

Some Shit Jeff Has Seen

ON my merry perambulations, I’ve seen

    • Many, many fancy people with umbrellas in the sunshine. Now, I know the sun is bad for you. I am sure my own skin is so damaged from the sun I will someday look remarkably like Tommy Lee Jones. Still, the number of folks I see parading about in the sunshine holding cheap, regular CVS-style umbrellas over themselves is remarkable. So I have remarked upon it. I wonder if these folks maintain their low-rent fanciness in other scenarios as well; perhaps all of their cans of diet cola at home sit on fancy white doilies?
    • Men walking about in 90-degree weather wearing long pants and jackets. Look, not everyone likes shorts. Some people think the world is far too casual, and some people just don’t like to expose skin. Fine and all, but … the jacket? I’ll be walking about in a constant puddle of my own sweat (and believe you me, I am wearing shorts in these scenarios and would go nekkid if I could) and some middle-aged dude will stroll past wrapped up like he’s recently teleported from the North Pole. And I can only think about the swampy nature of his nether regions.
    • Neighbors who live on my block getting out of cars approximately 3 blocks away from their house. It’s certainly possible they drove from another, distant location. But I wouldn’t be surprised to discover they drove from their house to the Chipotle, because walking 6 blocks there and back is obviously not what god intended them to do.

GEESES

  • A lot of geese, because we have a lot of geese living on the river here in Hoboken. They make me unreasonably happy for some reason, similar I suppose to the Tony Soprano Swimming Pool Ducks.
  • A lot of Stoop Sitting. I dunno about where you live, but here in the NYC metro area people of the older generations are still very fond of setting up shop on their front porch or stoop (or on the sidewalk if there’s no other choice) and … sitting there. All day. Just watching the world go by and engaging in conversation with anyone who wanders by. It kind of creeps me out, to be honest. My Mother once told me that when she was a young girl in Brooklyn, no one had air conditioning, so stoop-sitting was a consequence of their apartments being like ovens during the day. It’s possible these folks don’t have A/C either, but I am dubious.

Walking is about the only exercise I’m willing to engage in, because I am a strange and wonderful being filled with secrets. That’s me; if you prefer a gym or yoga or jogging, more power to you. I’ll just keep walking, and making mental notes about the terrors that await us on the streets.

Childhood Melodrama

I was possibly inspired to run away because they put this sweater on me, but I can’t prove it.

I had one of those annoyingly cheerful childhoods, for the most part. We weren’t particularly poor or rich, and my brother and I were allowed to wallow in our imaginations as much as we liked. We were fed and clothed and had a lot of toys, with efforts at giving us a spiritual background that were just half-assed enough for us to shrug them off. I’m not saying my childhood was perfect—there was, I think, a normal portion of trauma, body horror, and emotional ruination (my people are Catholic, after all). But in general I had a great time building immensely complicated things with Legos, playing Pac Man, and eating elbow macaroni in meat sauce, a dish my Mother called Slumgolian.

So, being generally a very happy child up until the usual age when happiness becomes impossible (around 12), I naturally had to try and manufacture my own drama. Why should all the children of divorce get all the sympathy?

Attempt One: Hiding

Children are as a class of citizen pretty convinced that they are taken for granted. We figure out early on that we were brought into this world (purchased, most likely, probably from a catalog called TINY SERVANTS) solely to perform chores and other grunt work for our lazy parents. What about our needs? Those televisions aren’t going to watch themselves, after all.

So at some point every single child in the universe hatches a simple plan: I will disappear, and when my parents realize I am missing there will be much sadness and tearing of clothing and regret. Or possibly a revelation that they aren’t human at all, but rather disgusting slitherbeasts from another dimension, which would explain a lot.

So, feeling unappreciated one day, I hid.

My master plan was not very masterful. I hid in my parents’ bedroom closet, for one, and they could probably hear my pudgy breathing in there. For two, I brought no provisions or entertainments. This made the hour or so I crouched in there seem much longer than it actually was, which in turn made the lack of reaction from the house more alarming and infuriating. I mean, I was missing. What the fuck were my parents doing?

Of course what they were doing was being completely unaware of my absence. I eventually gave up and sulked back into society, most probably because I needed a snack.

Attempt Two: The Runaway

Some times after the closet debacle, I hit on an improvement to my plan to inspire my parents to, you know, regret treating me like I was some sort of insufferable little prick of a child. I would run away, which had the extra dimension of actual absence I thought would push this plan over the top. I would go on an adventure, and when the police brought me home a few days later my parents would have learned a serious lesson.

Looking back, it’s obvious that lesson would have been send this kid to military school immediately, but at the time I had high hopes for a later bedtime and a higher cookie ration. Yes, my childhood was terrible.

Anyways, I walked out of the house to embark on my bold plan, then realized something I’d failed to take into consideration: I was not allowed to cross the streets alone. In order to officially run away, I would have to actually cross the street. The only time I’d crossed the streets was when playing stickball with the older kids in the neighborhood, who prized me for my speed (hard to believe in my current state of dotage, but true in 1979), and I always dreaded hitting a double and being stuck on second base, in full view of my back door, where Mom could emerge at any time to call me home for some reason.

The difference was, sitting on second waiting to be batted in was a temporary scenario. Running away was a commitment to disobedience I was, ironically, unprepared to make. Which didn’t stop me from running away. It just meant I ran around the block.

I don’t quite remember how long I remained out there, suffering, without food or shelter. Possibly an hour. Possibly and hour and a half. What became clear to me was that if I was going to elicit the dumbfounded sorrow of my parents over their treatment of their youngest son, I was going to have to find a new approach. One that kept me in potato chips, video games, and socks fresh from the dryer.

Looking back, it’s easy to see how my lifelong dislike of things like effort and planning have shaped my entire life. But things are easier today, of course, because if I’d had Facebook back in The Day, I could have simply informed everyone that I’d run away, and achieved everything I wanted without leaving my room. Truly, we are living in the future.

“Fargo” and The Relativity of Evil

One of the best tricks I get asked about when I talk to aspiring writers is how to make a despicable, perhaps even an evil character likable. This is usually in reference to Avery Cates, who is an assassin and a guy who uses casual violence, even against his friends, to assert himself. Cates is sometimes charming, or funny, or sympathetic, but he’s also always an asshole, so it can be challenging to make readers like him.

There are two main ways to accomplish this. One is to punish the character. Avery is a Bad Actor, but he gets tortured, imprisoned, beaten, and screwed over so often his violence never actually gets him anything aside from short-lived triumph. This makes him a little more sympathetic.

The other way is a slower burn, and it’s something that Noah Hawley is doing in the third season of Fargo on FX: Make everyone else worse. Spoilers be comin’.

The Relativity of Evil

In Fargo, Mary Elizabeth Winstead plays Nikki Swango, a hard-edged ex-con who takes a practical approach to getting by. Nikki has genuine love for her Parole Officer, Ray Stussy (Ewan MacGregor), and she isn’t such a terrible person. But she does encourage Ray to commit several crimes in pursuit of some stake money, setting in motion some awful events—and when one of Ray’s plots brings a dimwitted, violent man into their lives, she doesn’t hesitate for even a second to murder him via air conditioner.

You read that right.

Death by Air Conditioner is No Way to Go.

Nikki’s not a nice person. She’s a schemer and a murderer and a bit of a grifter. But by episode 7 of the season, Nikki is a character you feel sympathy for. She’s been brutally beaten. Her fiancé is (SPOILERS) dead. She’s been falsely accused of the murder and an attempt was made to assassinate her. All of this helps you to put aside the fact that she dropped a fucking air conditioner on someone.

But what really works to put Nikki’s crimes into perspective are the other villains on the show. Mr. Varga and his henchmen are truly evil, terrifying people who have very little empathy or value for human life. Compared to them, Nikki Vango is not so bad. Her violence is only unleashed to protect herself or her lover, and while I would not, say, want to be in business with Nikki (or living next door to her) she’s not an inhuman monster (or a force of nature, a concept Fargo likes to play with) like the others.

So, air conditioner or not, Nikki has become one of the people you wish survive the story—a feat any writer ought to be able to pull off.

It’s Not Impostor Syndrome if You’re Actually Faking It

Jeff, I think you know why we’ve called this meeting: You absolutely must start wearing pants to the office.

AS AN author, I hear about Impostor Syndrome a lot. This syndrome, if you have somehow lived this long without encountering it, is when perfectly capable, competent people believe their own success (or lack of failure) is the result of sheer luck and circumstance—that they are, in fact, frauds.

Writers are easy marks for this kind of corrosive self-doubt; no matter how successful you are as a writer, of course, there will be a group of people who consider your work to be terrible, and most writers wind up in that Twilight Zone of mid-level success: A few publishing credits to your name, but no significant sales breakthrough, meaning you make a few pennies and get some recognition, but you’re still working a day job and still hustling every minute of the day instead of lounging by the pool of chocolate pudding in your tropical estate. Or something; your fantasy of being rich and wildly successful may vary.

So when you sell a story or a novel, it’s easy to think you just got lucky, and many of us do just that. I often have that urge to mutter joke’s on you, suckers! as I sign a book contract, so I’m no stranger to Impostor Syndrome. The thing is, while I’m not an impostor as a writer, I certainly have been an impostor throughout much of my adult life, because I am a firm disciple of the Fake It Til You Make It religion of sleeping in and not doing the research.

The Miracle 18

Up until a few years ago, I had a Day Job. In a sense, I still do; I’m not a full-time novelist, I’m a full time writer, which means a lot of what I write I do in order to earn a living. But writing as a Day Job is a perfect fit for me, because I’m good with the words. What I did for 18 years of my life in a professional capacity was not a good fit, because it required three things I do not possess: Attention to detail, organization, and the ability to wake up in the morning.

So, if I was terrible at my job, how did I keep it for nearly two decades? Here’s a timeline of events that hold some clues:

  1. When I got my first job in the industry, I was a chubby, tow-headed kid of 23 who wore enormous glasses and whose clothes were always 2 sizes too large (that is not a joke) and so I firmly believe my bosses during the first 3 years or so simply took pity on me.
  2. Over the first 5 years or so, the company I worked at went through several mergers and re-organizations, and I had about 6 bosses over that time, so no one ever had the chance to appreciate my incompetence and apathy.
  3. At some point my bosses realized I was the only person in the office who could write a Visual Basic script, and I had a shadow career creating toolbars and widgets . At one point, despite this having nothing to do with my actual job description, I probably spent 75% of my time doing this.
  4. By the time I was forced to actually focus on the core work my job demanded, I’d had a decade to more or less memorize the basic shortcuts, which meant that as long as the other people I worked with were competent, I could fake it.

Eventually, of course, the whole house of cards collapsed. Looking back, I’m impressed that I was able to fake it for as long as I did, and I have to say that making a living doing something I’m actually good at is an incredible feeling. Some people have been feeling this their whole lives! That seems incredible, but it’s true.

What’s the moral of this story? Sometimes that creeping feeling that you’re not very good at something isn’t Impostor Syndrome, it’s reality knocking on your door. Of course, I was lucky that my incompetence applies to something I didn’t want to do in the first place, and that sheer luck or the power of my charm (which is potent) kept me employed.

Or possibly the moral of the story is that if you work hard enough you can in fact earn a living without wearing pants.

Breakin’ the Law (in D&D)

FRIENDS, I have never claimed to be cool. I was a portly kid with thick glasses, and so I was doomed to be the mascot of every class (spiced with occasional good old-fashioned bullying) until I hit college, when somehow my combination of sarcasm, bad hair, and even thicker glasses alchemically made me, if not cool, at least not uncool. Still, despite my chronic uncoolness at every stop along my journey through life I’ve managed to do two things: Have a lot of fun and toss all the rulebooks out the window.

Now, I don’t mean to imply that I’m some sort of brilliant iconoclast or rebel. Far from it; I’m the sort of guy who gets mildly upset if I don’t get my coffee at the same exact time every day, because what this world needs is MORE ORDER; in other words, I love following rules in general. But I am that classic jackass who looks at a book of rules and thinks, jeez, that’s a lot to read and so I don’t read them and I just sort of wing it and make shit up as I go. This is why all my Ikea furniture looks like torture devices from Isengard, and why I spent six years lost in Canada, refusing to read a map. Yes, I’m that jackass.

A Level 35 Demigod

12-year Old Jeff Said HOLY CRAP ITS GOT A DRAGON ON IT, DUNNIT!

Back in my grammar school days I played a bit of Dungeons & Dragons, although I’ll admit I only glanced at the rules. I probably read the Basic Module, or mostly read it, but as we got deeper and deeper in I could never be bothered to read the more advanced rules. D&D had a pretty neat system there, starting off simple and then adding in layers of complexity, but this seemed an awful lot like work, so my friends and I just sort of absorbed the basic concept and then set about just making up whatever we wanted.

Since we were nearing full-on puberty, there were a number of pornographic adventures involving lots of lusty barmaids, witches, and female monsters. Things got … weird. After things got weird, we went full-on acquisitive; the rules for D&D were painfully slow. You started off with nothing, a Level One Thief or Elf or what have you, and you were supposed to slowly make your way through adventures where you would slowly gain experience and level up and slowly discover magic items that would augment your abilities and slowly, slowly, slowly.

One advantage to not reading any rules was the ease with which you could simply decide fuck that, let’s become demigods. So we did.

Acting as Dungeon Masters, we created adventures specifically designed to level up our characters as quickly as possible. We awarded experience points like candy, we littered the adventure with spectacular items gleamed from the Dungeon Master’s Handbook from the Advanced version of the game, and by the end of it we had characters who could basically do anything.

Look on My Works, Ye Mighty

Of course, the game was ruined. Once you have a demigod for a character all you can do is pit them against each other, rolling the dice to see whose obscure and ultra-powerful spell would shatter whose ancient magical shield. That didn’t matter, for me it was a teachable moment, because I realized something very important about myself: I love stats.

Statistics were why I got interested in D&D in the first place (that and the aforementioned pornographic possibilities of role-playing games), just like stats lured me into baseball fandom. The neat rows of numbers, all meaning something, all representing abilities and achievements—I loved them like children. I could calculate an ERA in my head and I instinctively knew the odds of my fireball spell working, and more than anything else I loved the back of a baseball card where a player’s stats were listed and I loved my D&D character sheets where their stats were all laid out.

The same kids who I played D&D with also played in a computer baseball league with me on our Commodore 64s. Microleague Baseball was a marvel; it ran on stats. It came with pre-compiled teams, but you could enter your own and then manage the team in real time. We played entire seasons, made trades, had playoffs and championships. And it was half numbers, half strategy, and not so different from D&D in some ways, although we didn’t cheat much in Microleague. We cheated a little, of course, but not much.

To this day, I don’t read the manual or work too hard to understand the rules. This is why many video games enrage me and also why the washing machine turns on when I play the radio—who has time to pay attention to electrical codes or wiring diagrams?

“Black House” is Live

Chapter One of Black House, a novel featuring my character Philip K. Marks, has gone live over at theblackhousesite.wordpress.com, and you should go read it! I’ll be posting new chapters every day this month until the whole novel is up. Then it will stay up until June 15th, and then I’m deleting the site. Why? I’m not entirely sure. Let’s see what happens.

The novel is an experiment for me; I was inspired by an old puzzle book that was a house in the form of a maze, so I wrote a novel that is really a maze. It’s kind of trippy and strange, but I really like it, and hope you do too.

The book release schedule is basically 1-2 chapters every day, so you can check the website every day and find at least one new chapter, often two. I’d encourage you to let me know what you think as the story progresses—it’s be interesting to hear what y’all think in the midst of reading it.

And don’t forget—June 15th, I’m, deleting it. If you want to save the chapters for future reading, do it before then.

Enjoy!

The Dulcet Tones of My Voice

Y’all might remember that last year Great Jones Street, the new short story app aiming to be the “Netflix of Fiction” reprinted my story Ringing the Changes, which appeared in “Best American Mystery Stories 2006.” If that didn’t prompt you to go download the app, go on an do so. I’ll wait.

Well, as an added incentive (?) the good folks at GSJ have added a “live reading” feature where authors upload audio of themselves reading their stories. You can read the story with your eyes like a sucker, or hear me read it to you! Plus, because I have dangerously little to do and a lot of spare time, I went ham on adding sound effects and such to my reading.

You can hear a 1 minute sample of my reading here:

The full reading is about 20 minutes long and is, of course, brilliant. You should totally download the app to hear it.

Gout, Dementia, and Inspiration

I Got Me the Gout

Long-time readers of this blog (and possibly my old zine The Inner Swine) might recall that a decade ago I was diagnosed with old-timey disease Gout. Gout is a pretty awful affliction, but it’s manageable, and there are much worse diseases out there—specifically, diseases that will kill you. Gout is painful, but with a good prescription and some discipline it can be dealt with. Although it does make you feel Old, with a capital “O”.

What really makes me feel old is the word “rheumatologist.” My grandmother had a rheumatologist. Young, vibrant people not on the verge of dementia and death do not, as a rule, have rheumatologists who greet them by name, so simply by making an appointment to see my doctor I feel instantly 1,000 years old. Unfortunately, it’s not just the gout and the rheumatologist making me feel old: It’s also my tired, malfunctioning brain.

The Somers Curse

My brain has always failed me. My memory is terrible, and I forget things about five minutes after learning them. And I often think I understand stuff, and get irritated and impatient when people insist on explaining stuff that I clearly understand, only to realize hours later that I totally did not understand. You might think that that at my advanced age—and age so advanced I can be diagnoses with gout, for the sake of Pete—I’d be aware of my limitations, but no such luck.

For example, last week I was heading into Manhattan to see my rheumatologist so they could evaluate the broken glass-and-bubble gum that comprises most of my gout-ridden joints. I know that my wife, The Duchess, is partial to baked goods, so I offered to pick something up for her while I was in the City. A good husband, after all, knows just how to suck up and curry favor.

She said she wanted a slice of cake from Magnolia Bakery, and proceeded to explain to me where the most convenient location was in Penn Station. I waved her off. “I have a smartphone and a brain,” I declared. “I’ll find it.”

Yes, you see where this is going.

Cut to two hours later, and I’m sweating and panicked on 33rd Street. My smartphone is telling me I am more or less inside Magnolia Bakery, despite being clearly on the street. I can’t call The Duchess and admit I’m confused, so I spend the next forty minutes desperately exploring Penn Station, trying to find the god-damned Magnolia Bakery, because I cannot—can not—return home without cake. To do so would be admitting I hadn’t paid any attention when my wife explained the details of my mission.

I suppose I take some comfort in the fact that my brain has always been this way: I think I understand things when I really don’t, and my confusion usually turns to rage at the people who have failed me, then, quickly, shame. If this was a new development, this combined with the gout would be a good excuse to put me away in a nice, comfortable home until I died and my organs could be harvested (except my liver, which has been used badly). But since I’ve always been this idiotic, the fact that it took me an hour to locate a bakery and buy a slice of cake is cause for mockery, not worry.

So, the upside? My confusion and difficulty with simple tasks isn’t likely to be the first sign of an age-related decline. The downside? This is who I am: A sweaty man who spends 45 minutes circling the same spot in Penn Station, completely confused as to the location of a bakery. And yes, dammit, I eventually found it. No thanks to you.

The Dubious Connection

This stuff always makes me think about writing, because I don’t know about you, but my inspirations—my ability to think of new ideas and shape them into stories—is a bit mysterious to me, and so I live in daily terror that one day I’ll wake up and it’s gone.

The worst part is, I might not even know it. There are plenty of artists working who continue to put out new material, but it’s lost that spark, that certain something that made their prior work interesting. And I wonder; are they aware that they’ve lost it? Are they haunted by it? Or do they think they’re still killing it? So moments when my brain isn’t working too well make me worry that I might have already entered into that period of decline where my writing is no longer all interesting, and I’m not aware of it.

That’s the worst part of being creative, sometimes: Your lack of control over your own ability. It’s like a random light shined on you, and it might go out at any time, without your permission—or even your awareness.

On that cheerful note, I’ll conclude by letting you know there’s no need to worry: The Duchess got her piece of cake, and I was not physically punished for failure. Not this time, at least.

St. Paddy’s Day

This was originally written in 1998, and appeared in The Inner Swine Volume 4, Issue 2. This might be funnier if you know who Carolyn and Mandy really are. Or not.

The only massacred was my pride.

BIG-HATTED WOMAN, WHERE HAVE YOU BEEN ALL MY LIFE?

A Day in the Life of Your Editor: The Saint Patrick’s Day Parade in Hoboken, New Jersey

Back in March I was invited to the home town of two of my lovely assistants, known here as Mandy Cuervo and Carolyn Millivanilli in order to protect their reputations, to watch a lame parade and then drink all day. What follows is a report on our activities. It is my hope that this will help others who are victims of the “Big Hats” at these parades; my therapy is ongoing.

TIME-LINE OF THE BIG HATS

11:30am: I arrive. Mandy, is frying bacon naked in the kitchen. Carolyn had already consumed an entire bottle of champagne and is passed out on the floor. I step over her gently.

12:00 noon: The sound of the Clancy Brothers on the stereo awakens Carolyn, who immediately begins a painful, off?key wailing I quickly identify as singing. Mandy has put on overalls. I sneak into Carolyn’s room to phone Ken West desperately, promising him 50 dollars if he will join us.

12:30 pm: After consuming six pounds of bacon and two Mimosas each, I am experiencing heart palpitations, Carolyn is once again unconscious and Mandy threatens to disrobe again to attend the parade “alfresco.” I bundle the women out the door and we march up to Washington Street, which shows absolutely no signs of a parade occurring there this day.

1:00pm: We meet friends and friends-of-friends at Sullivan’s bar for a drink. The friends-of-friends are snooty, and Mandy tearfully threatens everyone in the bar with serial nudity unless they are nice to her. Carolyn quickly attracts a crowd of men, and dances for them.

1:05pm: Having been politely asked to leave by the Bar’s management, we strike boldly out to find a good viewing place for the parade.

1:06pm: distracted by a bar called Mile Square, we enter to bolster our resolve with a pint and the women don attractive, humongous, bright green hats which are just slightly larger than the women themselves. Carolyn gathers a crowd of drunken men around her and allows them to place things in her hat. Mandy pretends she has “lost” her socks, a foreboding warning of things to come.

1:30pm: while the women hoot and flash the bagpipers marching by, I notice police forming a line around us and closing in, so I begin backing away slowly. Ken West arrives and attacks us with Silly String. Mandy is delighted and claims his silly string has “ruined” her T?shirt, and happily removes it. We decide to move on and have to extricate Carolyn from a large crowd of police, who are clapping their hands and hollering as she dances for them.

2:00pm: We arrive at a bar called Hennesey’s, where Carolyn immediately finds a group of men to surround herself with. Ken, Mandy and I have drinks at the bar. Mandy’s hat keeps overbalancing her, and she eventually finishes our visit there sitting on the floor, drinking anything handed to her. When we leave to get pizza, she has mysteriously lost her brassiere.

3:00pm: At a bar called Willie McBrides, a large crowd of men are waiting for us, applauding Carolyn and holding banners that read “CAROLYN MILLIVANILLI WE LOVE YOU”. We enter the bar with great difficulty due to dangerous crowding. Carolyn holds court by the bar in the back while Mandy and I are nauseated by a “dirty” dancing couple next to us. Ken arrives in the nick of time to demand we leave immediately. We must resort to force to remove Carolyn from her admirers, and in the scuffle, Mandy loses her overalls.

5:00pm: We are at The Quiet Woman after several other bars, aware of the disturbances the women have been causing, refuse to admit us. At The Quiet Woman Carolyn quickly assembles a small group of men to entertain her. Ken and I talk baseball in a quiet corner. Mandy is now wearing her large hat around herself, as clothing. She keeps bugging Ken and I to dance with her, but we refuse, knowing that this is just a ruse so she can “lose” her underwear as well.

5:10pm: Mandy has “lost” her underwear anyway, and Ken boogies with her, defeated.

10:00pm: I find myself walking along Park Avenue towards Moran’s; I have no idea where the past five hours have gone. Mandy is nude except for the huge hat she is wearing on her head. Ken has the grim look of a concentration?camp survivor. I smell like Minestrone and vaguely remember the women dancing on the bar to the tune of “Mexican Radio.” A large mob of men follows us at a safe distance, watching to see where Carolyn goes next.

10:15pm: At Moran’s Tavern, Carolyn’s arrival causes a riot. We drink Baileys and Ken and I get separated from the women as a huge wave of men enters to surround Carolyn. I claim to be Mandy’s brother.

2:00am: We leave Moran’s to have pizza and leftovers at the girls’ house. Mandy reveals that she has been hiding her clothing in her hat. Ken wisely leaves, but I am too weak and am wrestled to the ground and robbed by the women, who taunt me, calling me “little man.” I am cast out into the street and my pants are removed.