Author Archive: jsomers

Jeff Somers (www.jeffreysomers.com) was born in Jersey City, New Jersey and regrets nothing. He is the author of Lifers, the Avery Cates series published by Orbit Books, Chum from Tyrus Books, and We Are Not Good People from Pocket Books. He sold his first novel at age 16 to a tiny publisher in California which quickly went out of business and has spent the last two decades assuring potential publishers that this was a coincidence. Jeff publishes a zine called The Inner Swine and has also published a few dozen short stories; his story “Sift, Almost Invisible, Through” appeared in the anthology Crimes by Moonlight, published by Berkley Hardcover and edited by Charlaine Harris. His guitar playing is a plague upon his household and his lovely wife The Duchess is convinced he would wither and die if left to his own devices.

News Flash

Suddenly, I will be here tonight, sitting on a panel. From their web site, “The Center for Fiction, founded in 1820 as the Mercantile Library, is the only organization in the United States devoted solely to the vital art of fiction.

My panel is: The Evolution of Sci-Fi and Fantasy: a panel with Musharraf Ali Farooqi, Michael Kandel, and N.K. Jemisin.  Presented in collaboration with Words Without Borders.

When: Tuesday, December 1st at 7pm (that’s TONIGHT)

Where: The Center for Fiction, 17 E. 47th Street, NY NY 10017

If you’re interested in coming, come on by, but you might call to make sure of room [(212) 755-6710] as seating can be limited.

In Defense of Slow Reading

And. . .we’re back. Hope no one died from food-related injuries.

Whenever I have some time off like that I make grandiose plans about how I’m not going to waste my vacation this year. These plans usually involve immense home improvement projects (“I can have that roof off and another floor roughed-out in three days, why not?”), immense self-improvement projects (“I will go 36 hours without taking a drink. . .starting right after this bottle.”), and serious writing goals (“Three days. 90,000 words. Pulitzer Prize. Easy peasy.”). Naturally, none of these things actually happen. I eat like a pig, am continuously drunk for three days, and the house is almost burned down six or seven times. Itdoes, however, serve as a reminder of what my life would be like if I didn’t have The Duchess and/or a job. It’s sobering, let me tell you. Well, not literally. You get the idea.

The other thing I always swear I’ll do is read more.

I don’t read books very quickly any more, and I am amazed sometimes at the rate others consume books. When I was a kid, I read a lot faster; I would stay up until 3AM in my room reading, and tear through several books a week, sometimes. I could barely acquire enough books to keep myself stocked. But as I’ve aged, I’ve slowed down, for a lot of reasons. One, I read several books simultaneously, mainly because I am forgetful and am always leaving books around and forgetting where they are, and then I never have a book on hand when I want one (say, in the bathroom). The subset of this is that I’m lazy, and if I am on the first floor of the house when I want to read a book and I have left my book on the second floor, I will not go get it. I will read cereal boxes instead. No, really.

Two, I actually get paid to do other activities and that eats into my reading time. Between working and writing and cleaning up after my shedding, vomiting, pooping, all-singing, all-dancing cats, there’s very little time for me to just sit with someone else’s thoughts for a while.

Finally, I have the attention span of a gnat. This didn’t used to be true. I used to be able to stare at walls for hours, thinking, but that was before The Internet. Now I have a hummingbird’s brain: Tiny and flitting from thought to thought. I start reading something, and before I know it something in the book about Day Laborers has set me off on a chain of tangents ending with me humming and trying desperately to remember the words to the All in the Family theme song. It’s days, sometimes, before I can safely pick up that particular book again.

I get self-conscious about this because most people you meet in the publishing biz read books at a startling rate – a rate so fast a more cynical man might not believe it possible. Granted, most of thwese folks are being paid, in some way, to read, but it’s still startling. It’s enough to make a man question his own intelligence. Man, if I turn out to be dumber than I’ve always thought, I’m going to be sooo mad.

Still, it occurs to me that in the wise words of Gary Coleman, it takes Diff’rent Strokes to move the world, so I shouldn’t be ashamed of my slow reading. I’m a Slow Reader, and I’m proud! Or, if not proud, I am at least no longer ashamed. Or as ashamed.

Catsgiving

Yup, a new video, because The Duchess went to The Ancestral Home for Thanksgiving, leaving me alone with four cats and a bar stocked full of booze. I’m not responsible for my actions under these circumstances, so I made a video about cats. Apologies in advance.

Yes, I am ashamed.

Filthy Lucre

Per the deliriously entertaining IO9.com, author Lynn Viehl has posted one of her royalty statements on the web for all to see. This is balls, if you ask me. This is America, for god’s sake, and what we earn at our vocations or avocations is sacred privacy, because that way the secret lizard aliens who secretly run the world can keep us down through collusion. Doubt me? Then you’ve been hit by the lizards’ brainwash ray.

Author earnings are strangely fascinating to folks. I think this is partly because authors have been traditionally portrayed in media as rich people who tap a keyboard for a few hours a day – usually in remote, luxurious locations – and all have bestsellers. Look at Castle for a current example of this trope. The other part of it, of course, is the wish-fulfillment of aspiring writers; believe me, when I was a kid pounding out 90-page rewrites of The Lord of the Rings, I wished fervently to believe that authors had status and riches. Sadly, we do not. Or at least I have not – I wonder if I need to sue somebody.

One thing to keep in mind about this stunt, of course, is that Lynn Viehl has more than one book out for sale, and unless her books literally vanish from the face of the earth she’s probably got a royalty stream from some of them in addition to this one book she’s posted about. Another thing to ponder is that she did get a sizeable advance (though of course in real-life terms, that got nibbled down, as she says, to near poverty-levels if that was your only income that year). Even assuming that the earnings drop considerably after the first year, put together she’s making more than this one statement shows. That’s part of the gig, too. If you publish one book and then decide to go all Salinger, you better hope that one book is a classic, bubba.

And no, I won’t be posting my own statements. One reason is, I don’t want you to know about all those paranormal-romance-selkie novels I wrote under pseudonym. Part of it is that I don’t see the upside. And the final part is, this way I get to keep pretending to be a millionaire playboy author who writes his novels during the 22-hour flight between here and my secret island kingdom.

Be Seeing You

I’m a huge fan of the 1967 TV showThe Prisoner, created, mostly written by, and starring Patrick McGoohan. In fact, The Prisoner remains the one and only fanfic I ever wrote, a novella penned in 1991 called Return of the King and no you cannot see it (although I was pretty proud of it at the time – and, to be honest, I posted it to alt.fan.prisoner back in The Day so you can probably locate it on teh Googler, though I used a pen name). Ah, the vagaries of youth!

Anyway: I was interested in the reboot/re-imagining/whatever on AMC, so I tuned in to the first episode. Sadly, I did not finish the first episode. Some folks seem to be enjoying this show, and that’s fine. For me it wasn’t so much that the show is terrible, it’s more that it’s boring as hell – or at least was for the first 30 minutes, and how much longer am I expected to give a show? None much longer, that’s what.

Still, plenty of television shows disappoint or don’t connect. What grates on me about AMC’s The Prisoner is the fact that they changed it so fundamentally and completely from the original I wonder why they didn’t just rebrand it and create a new show. Was it the name-recognition of the original? I dunno; while band geeks like me (and you, probably) are aware of the original and possibly still like using the phrase “Be Seeing You!” in cheerily ironic situations, I don’t think Prisoner-mania has swept the nation in the last 20 years. Probably it was somebody’s pet idea, to update the charming old cold-war concept, and that‘s fine too, but in that case they really should have pulled back a little. There’s almost zero 1967-era Prisoner in 2009-era Prisoner, aside from some cheeky visual and vocal references. They should have called it something else and tagged a “inspired-by” line on it, because aside from the most general description of the show – man wakes up in a mysterious Village after resigning his position, weirdness ensues – it’s completely different. Why bother?

On a possibly-loopy side note, I gave up on the first episode when Six looks up in the sky and sees a faint outline shimmering in what looked very much like the shape of the Twin Towers. I thought to myself, myself, he’s been pegged as from New York City – if this turns out to be everyone who was in the Towers when they fell living in purgatory or something, each numbered as a victim, I will set my own house on fire in rage.

I haven’t watched the rest of the episodes, so I don’t know if I’m anywhere near on that instinctive prediction, but the very thought of it was enough for me to change the channel. I think I watched House Hunters instead. Real Estate porn, activate!

I Demand my Wikipedia Page

FRIENDS, I realize I am not William Shakespeare or John Steinbeck, Charles Stross or Fred Saberhagen, but I demand my Wikipedia entry.

I had one, once. Heck, I had two over the years. Both deleted because I am not ‘notable’. Which is ridiculous, as I am very notable for a number of notable things. Admittedly, most of those things include the words pantslessness and obscure, but I’m still damned notable in my own strange way. I mean, I’ve published four novels and more than twenty short stories, a zine continuously since 1995, and a comic book.

Meanwhile, I have no Wikipedia entry. Meanwhile, there’s this.

So, I’m laying down the gauntlet: I’m going to sulk and complain until some Hero steps forward to add me to this ridiculous compendium of unreliable knowledge. I don’t care if the article is complimentary or filled with libel, if it’s fact-based or filled with unicorns and fantasy. As long as the guidelines are followed so the article doesn’t get deleted, I’ll be happy.

Because I have no Wikipedia Page. Meanwhile, there’s this.

I’ve set up a little widget on the side to monitor my WP status. Until an hero shows up to save me from obscurity, I will keep this blog on a war footing. Spread the word! Obscure author demands his due. Because if this is considered notable, then I submit that I am equally notable. Although possibly less horrible.

UPDATE 8-3-09: Damaso tried, and the page was deleted within moments. One starts to suspect an anti-Jeff Somers faction over at WP.

UPDATE 2 8-3-09: Jon Gawne, bless him, has created a preliminary page for me [http://en.wikipedia.org/w/index.php?title=User:Jgawne/Jeffrey_Somers&action=edit] which he thinks may help if people add material to it. Thanks, Jon!

Bad Sci Fi

Just a quick note this mornin’. For a while I’ve been hearing about two relatively new TV shows: Life on Mars and Fringe. I know that LOM is based on a British show of the same name, and I know the basic premise. I know that Fringe is a procedural about a cop of some sort investigating fringe-science stuff, sort of an X-Files scented beast. That’s about it. Some folks have told me good things about them.

So the other night I watched my first episode of Fringe, and it sucked. Now, like a lot of TV shows, it didn’t suck in execution: It was tightly directed, well acted, the dialogue had some zing, and the overall look was quality. The story, however, was terrible. A computer virus that liquefies peoples brains, unleashed upon the world by a disgruntled programmer, targeting the loved ones of people who’d wronged him.

A computer virus. That liquefies brains. This was a bad idea 20 years ago, and it remains a bad idea now.

Was this just a bad example? Maybe. Maybe other episodes rock and I’d be cheering the show on. I will not, however, find out anytime soon, because 1 hour of my life is all any show gets to impress me.

I haven’t seen an ep of LOM yet. I hadn’t any plans to watch; it seemed like I got the premise and wasn’t very interested in it: Cop gets shot, is in coma, is either actually transported to 1973 or is just imagining it in his comatose state, it all wraps up in with a deep mystery and whether or not anything is real. Not a bad idea, of course, but just didn’t excite me.

Then, this morning, I saw this on IO9. Now that’s something I didn’t expect from what I knew about the show, which is apparently: Nothing. That might get me to watch. My god, if the network had promoted tiny robots seeking proof of the human soul in its advertising, I’d have been there on day 1, because that ain’t typical broadcast SF fare.

This underscores the way mainstream SF is being sold nowadays: All the ads for this show make it look like a zany cop show with one single bizarre twist (2008 cop sent back to 1973). There is almost nothing else in the ads that would make this show SFnal.

Of course, I’ll finally tune in  to LOM one of these days and I’ll probably get the episode where he encounters a computer virus from the future that liquefies brains. Dammit.