Author Archive: jsomers

Jeff Somers (www.jeffreysomers.com) was born in Jersey City, New Jersey and regrets nothing. He is the author of Lifers, the Avery Cates series published by Orbit Books, Chum from Tyrus Books, and We Are Not Good People from Pocket Books. He sold his first novel at age 16 to a tiny publisher in California which quickly went out of business and has spent the last two decades assuring potential publishers that this was a coincidence. Jeff publishes a zine called The Inner Swine and has also published a few dozen short stories; his story “Sift, Almost Invisible, Through” appeared in the anthology Crimes by Moonlight, published by Berkley Hardcover and edited by Charlaine Harris. His guitar playing is a plague upon his household and his lovely wife The Duchess is convinced he would wither and die if left to his own devices.

Bar Paradise

Originally appeared in The Current, a former supplement to a former local newspaper in Hoboken, NJ, long ago in a more civilized age.

When you live in Hoboken, you either live there in spite of the ubiquitous bars, or you live there because of the bars. And there are a lot of bars, that’s for sure—wherever you live in Hoboken, you are within three blocks of a tavern of some sort. So you’re either sitting up late at nights with a shotgun across your knees, gritting your teeth in rage because of all the noisy drunkards screaming in the street, or you’re one of the screaming drunkards. Or, like me, you once were one of the screaming drunkards and look back on that time fondly, vomit and all.

Living here, therefore, you learn pretty quickly how to navigate the bars. It’s a survival skill. And the first thing you learn is that there are, fundamentally, two types of bars. There may be infinite sub-categories within, but every bar can be boiled down to one of these: Old Man Bars, and everything else.

The Old Man Bar is a phenomenon that crosses borders, cultures, and, apparently, time. Sometimes referred to with the misleading term ‘neighborhood bar’, the Old Man Bar is a simple concept: It’s that bar you walk into and stop three steps in because staring back at you, blank-faced with disdain, are men uniformly over the age of fifty (with a couple of possible exceptions). Instantly, you know you’re not supposed to be in this bar, and you get the heck out of it as quickly as you possibly can.

Of course, there are plenty of men over fifty who don’t spend their days in Old Man Bars, and plenty of people over fifty who quite happily hang out at bars you wouldn’t term “Old Man Bars”.? It’s not that all old men go to Old Man Bars, it’s that, invariably, Old Man Bars are peopled exclusively by old men. There’s nothing wrong with this, either, of course—live and let live, I say—but the fact is that if you aren’t already spending your time in an Old Man Bar, I know two things about you without having met you: One, you don’t want to be in an Old Man Bar, and two, the old men don’t want you in their bar either.

Aside from the unfriendly glares from the old men, you can tell an Old Man Bar from the uncannily consistent features it will sport:

1. It will be populated, but never crowded. There will be plenty of elbow room, and a sprinkling of patrons, most men over fifty—however, there may be one or two women, also over fifty, and even one or two of those old-before-their time younger men who have decided to get it over with and begin the serious business of drinking.

2. There will be a single pool table, much abused.

3. The jukebox will be playing something from 1973 when you walk in, and there won’t be an album more recent than 1980 on it.

4. There will be, at most, two beers on tap. It’s possible one of the taps won’t even work.

The best thing to do when you arrive inadvertently at an Old Man Bars to just back out silently and never return. Any instinct to be polite will not be appreciated, and will be uniformly painful for both sides. Besides, the bartenders in Old Man bars are usually bartenders by avocation, and any cocktail more complex than a Boilermaker will require a quick glance through a bartender’s handbook, not to mention a disdainfully raised eyebrow, so any request for a Cosmopolitan or a Dirty Martini will probably go unanswered.

No one knows, I don’t think, why this phenomenon is so common. Certainly a time comes when you’re too old for the crowded, loud, singles-oriented scene that most of Hoboken’s bars offer, but maybe you still want to meet friends for a drink once in a while, or every day, or just spend your time sopping up as much alcohol as possible before cirrhosis takes its toll We all probably have an Old Man Bar in our future at some point, when the music gets too loud, the air too smoky, and the crowd too young. We’ll wander onto the dimly-lit side streets of Hoboken, croaking out our mating call, eventually hearing an old song from our youth on the warm air. And when we trace it to its source, we’ll find the Old Man Bar of our future, sparsely populated by people who know the same trivia as we do, and there’ll be plenty of room at the bar, and no screaming kids ordering sweet mixed drinks, and the occasional entertainment of watching a group of youngsters stumble in, stop dead, and quietly back out with wide eyes and trembling lips.

The Short Story Report

"The Winter Siege" & "Come and See" Covers

Well, 2024 is almost over, and I greet it as I do every year with a mixture of relief and sadness. Relief, because I survived one more year despite the universe’s animosity! And sadness because there are a lot of burritos I’ll never get to eat again. Measuring one’s life in burritos is not advisable, but here we are.

I could (and often do) measure my life in terms of short stories, because I am all about the short story. Sometimes I like to offer a report on my short stories to anyone who’s interested, because I know I love it when writers break down practical stuff like how much they write and what they make from it and all that. So let’s take a look at The Wondrous World of Jeff Somers through the lens of short story productivity.

This year I wrote 24 short stories, counting the one I’m currently working on that I will 100% finish by 12/31 or die trying. That’s pretty good – I always write a minimum of 12 (at least one a month), but I often think having ideas for stories is a good metric for how healthy my muse is. They might not all work, but at least I’m excited enough about concepts to put pen to paper.

Included in those 24 stories are Come and See and The Winter Siege, stories set in my Ustari Cycle and Avery Cates universes, respectively. You can read those by subscribing to my short fiction Substack.

I submitted 144 stories this year and sold two (History Porn over at Book XI and Lone Star. Deep Black. Hum. in Fission #4. A third story I sold last year published as well, Teeth Can Hardly Stand in Crimeucopia – Totally Psycho-Logical, and a fourth story that I originally sold back in 2019 finally published: A Permanent Vacation In the Void of Hunger appeared in Book of 42². I have one story on hold with an editor – they liked it but weren’t sure where they could place it, and so asked if I could let them sit on it for a few months.

Yes, two sales out of 144 subs is not a great sell rate, but I have a lazy firehose approach to submitting fiction, because I am a lazy man.

I earned $583 bucks off those short story sales, give or take, which isn’t retirement money but is whiskey money, so I’m happy about that. I’m more interested in getting my work published than getting paid for it, but I have found that holding out for pro rates on short stories generally means your stories have a better chance of actually being read.

So that’s the 2024 Short Story Report. I’ll be right back at it in 2025, assuming the vengeful universe doesn’t take me out.

The Comically Large Seagram’s Bottle

I inherited my love of whiskey from my father, who came home from work every evening and walked directly from the front door to our kitchen, where he opened the cabinet over the sink, extracted a bottle of whiskey, and poured himself a drink. It was just like in Mad Men, I swear, except with less sparkling dialog.

In fact, my father worked during the tail-end of that era, an era when it wasn’t unusual for people to have bottles of liquor in their desks and to get pretty soaked at random moments at work, or after work, or before work. So when my father came home from an office party one evening with a comically large (ONE GALLON!) bottle of Seagram’s whisky (with a plastic pump on top that dispensed shots) no one was surprised. This was what passed for normal in the 1970s. Here’s a photo of it to prove these things existed:

(avocado for scale)

I’ve lost the plastic pump, and the bottle is clearly in bad shape, as it has moved with me from place to place for more than 30 years now. For a while I kept pennies in it, and trust me when I say getting the pennies out was not easy.

Why do I have it? I don’t know, really. It’s one of exactly three things of my father’s I’ve kept, the other two being a Playboy shot glass and a signet ring he used to wear (like I said, the 1970s, man). Part of it is that this bottle sat in our kitchen for years, eventually filled with other whiskeys, and it formed the cornerstone of my liquor-siphoning adventures as a teenager. Plus the sheer comical nature of it. ONE GALLON of crap whiskey! What a time to be alive.

I don’t recall the bottle being used at any parties we hosted, but it’s the connective thread in many of my memories because it was always there, always comically large, and always filled to some extent with whisky of questionable quality (the only kind my father drank, sadly). Good times came and went, life changed in ways we neither wanted nor approved of, but the Comically Large Seagram’s Bottle was always there, a Constant. Every now and then I glimpse it in the dark corner of our bedroom and I am comforted by its presence.

The Duchess does not find this bottle amusing, and has tolerated it with the same weary tone she tolerates my stuffed Bill the Cat doll: As evidence that I need adult supervision. But I will never relinquish the Comically Large Seagram’s Bottle. I may be buried with it, honestly.

If you want your own Comically Large Seagram’s Bottle, incredibly, you can buy one.

The Levon Sobieski Domination

SO, as you may or may not be aware, I have, for the last ten years or so, been releasing music under the auspices of a nonexistent band called The Levon Sobieski Domination. We have twelve albums. Twelve! Here’s one of their recent songs:

The Levon Sobieski Domination: Cannibalism 101

The Levon Sobieski Domination: Cannibalism 101

Here’s the new album:

This all started because The Duchess, my sainted wife, got tire of my Middle Aged White Man moaning about how I always wanted to learn how to play guitar, so she bought me a guitar and some lessons and told me to do something about it. Which she now regrets, because I often make her listen to my songs and I can always pinpoint the moment when her soul leaves her body.

But I digress: For me the creative process in any medium is all about an audience. If you write a novel and no one reads it, did you write a novel? Or did you spend a few months pretending? I never had any interest in learning classic songs or campfire sing-a-long guitar stuff; I’m not the guy who shows up to our party with his guitar and everyone gathers around expectantly as I launch into Wonderwall. I’m the guy who shows up to your party with a $4 bottle of wine and proceed to drink all of your top-shelf liquor and falls asleep in your bathtub.

So I started composing my own songs. I’ve composed 1,451 of them so far, each 2-4 minute little instrumental rock tunes. And since the whole point is to find an audience, I invented a band and started releasing songs like this one:

The Levon Sobieski Domination: Boomstick

From the forthcoming album “Once.”

I can’t just create this aggressively mediocre songs and not release them, because I compulsively need an audience. There’s just no point to creating something if you can’t at least have the possibility that someone will experience it someday.

All of these songs are 100% written and performed by me (the drums are programmed) and recorded, if we use the term loosely, while sitting at my desk surrounded by cats. If no one ever listens to them (which, so far, seems like a safe bet) at least in theory someone could, and that’s enough to drive me to keep doing this. Just in case you were putting together a committee to beg me to stop, for the good of the country.

Huzzah!

2025 Novel

Yea, verily, the tradition continues: A new novel shall be posted at this wee blog, one chapter a week, until we’re done! (Likely some time in October, as I have few novels with 50+ chapters).

The 2025 Free Somers Novel is …

The Bouncer

Courtesy of https://openclipart.org/artist/liftarn

This is a relatively recent one; first draft was finished in 2020 and a light revision done in 2022. Had some discussion with the late, great agent about it but we never got organized to go out on it, and now I’m not sure it would be the right project to lead with, but I also don’t know if it ever will be, so let’s post it here!

Here’s the basics:

Mads Renick is struggling to get back to Zero — to the starting line. Working as a bouncer at a dive bar in Bergen City whose owner is affiliated with the fading Spillaine organized crime family, he’s just trying to survive along with his best friend, Jill “Pill” Pilowsky. He blames his life’s downturn on his parents, brilliant, evil Mats and brilliant, chaotic Liùsaidh, but they’re both dead.

Or so he thinks until the young son of Abban Spillaine shows up to tell him that his parents aren’t dead, after all — they ripped off every loan shark in town and faked their demise, abandoning their son and buying their way into the retirement village for criminals known as Paradise. While they’re dues-paying members of Paradise society, they can’t be touched — but now it’s on Mads to track them down and make it right, or lose everything he loves, and any chance he has of a normal life.

Same deal as ever: Each week, one chapter will pop up here, starting on Monday, January 6th, 2025. I’ll post eBook files for each chapter as well. When the whole book is finished, I’ll post a complete eBook as well. You’re free to read along each week, or just wait until the complete book drops.

Thanks for reading! I look forward to your comments, insults, and joyous snark when you notice a mistake or plot hole. You bastards.

Meeting the Loaf

For most of us, your first concert is a fond memory. It’s a stop along the way to adulthood, an early moment when you expressed taste and made a decision for yourself. And it’s also often (though not universally) a key moment of independence when you head off without supervision. Years later, you can get all wistful and talk about the first show you ever went to and all the crazy adventures you had.

That’s all well and good if your first concert was something cool. My first concert? The first live music show I attended without any parents or adult chaperones? Meatloaf.

Now, there’s nothing wrong with that — Meatloaf had a lot of fans and sold a lot of records, and was undeniably a talented singer (and even actor!). But it does not have the cool factor, does it? Heading into Manhattan in 1989 to see Meatloaf is not exactly like catching The Ramones at CBGB in 1974. I wasn’t even really into Meatloaf, honestly. I was vaguely familiar with the big hits like Bat Out of Hell, sure, but I didn’t sit around listening to Meatloaf tracks in my spare time.

A friend of mine from High School, who wasn’t a serious person, loved Meatloaf, however, and it was his idea to go. I thought, what the heck, let’s have an adventure. I should have asked myself why he couldn’t get anyone else to go with him.

.o0o.

First, I had to get an ID. I was seventeen, and the venue was 16 and older but you had to have ID, or so the official line went. I hadn’t yet gotten my driver’s license, so I had to go to a place downtown and show my birth certificate and sit for a photo and wait for the ID to be made. This was an early sign that I am a Rule Follower, because of course when I got to the show no one gave two shits about an ID — all it meant was that I didn’t get an adult wristband, so I couldn’t order alcohol. Joke was on them, I had three bucks in my pocket so I couldn’t afford alcohol. But I still got the ID, because Jeff is always terrified of being caught not following the rules. It’s a real problem.

The place was half full, and I remember feeling a little sorry for Mr. Loaf, who sweated impressively on stage and seemed on the verge of collapse at all times, but sounded pretty good. My Unserious Friend was ecstatic, and kept grabbing me to shout enthusiasms in my ear, but I was just slightly bored. I knew two songs, there were — at most — two dozen other people there, and I couldn’t even drink recklessly, already one of my favorite hobbies.

.o0o.

I’ve carried unspoken resentment toward my Unserious Friend for decades because of this. This is exacerbated by the fact that my next concert was The Who (followed rapidly by The Rolling Stones), much cooler bands that would have been a decent choice for first concert ever.

Of course, when I saw The Who and The Stones I imagined they were on the cusp of retirement. They were so old, so absolutely ancient, I felt like I was running out of time to see them. Meanwhile 80-year old Mick Jagger is out there making me look bad. So what do I know about cool? Apparently nothing.

Raging for The Dying of the Light

Photo by Dzenina Lukac: https://www.pexels.com/photo/turned-on-string-light-on-miniature-house-754186/

HERE in my little burg folks get really into the holiday lights thing. Starting in early October, people begin setting up some pretty lavish displays – inflatables, music and sound effects, and, of course, lights, lights, and more lights. The Duchess adores this part of the year, and always wants to walk around town to see the displays, exclaiming in adorable childlike wonder at every moving tentacle, singing Santa, and elegant arrangement of plastic skeletons. One house, for example, always has about a dozen skeletons dressed in tie-dye shirts, with a sign proclaiming them to be the Grateful Dead. The Duchess loves it!

Me, not so much.

Anyone who is surprised that I’m a bit of a cranky killjoy has obviously never spent a Saturday night with me, but I’m not a complete Grinch – I love the holidays for non-religious reasons (i.e., excuses to drink and eat until I’m half dead) just as much as the next agnostic asshole. What I object to is the length of time we celebrate them, which seems to get longer every year.

I like my holidays tight and concentrated. If you start celebrating Halloween in late September, by the time the day actually comes, I’m exhausted, and much more likely to shut the door, turn off the lights, and sip bourbon in the dark while the kids shout outside, threatening to burn my house down if I don’t toss out some candy immediately (this is New Jersey, after all; my father used to sit outside the house with a baseball bat on Mischief Night). Same thing with Xmas – if I had my way we’d just go about our normal business until about December 23rd, spend a week or so getting jolly, and then spend January nursing hangovers. This 3-month holiday season bullshit is wearying.

This isn’t really about grinchiness, though. It’s about the dilution of experience. We all have a tendency to stretch pleasurable activities out until they’re so thin we can see through them, and trying to keep up the ol’ holiday spirit for three months is a grind. For me, at least. By December 1st I’m usually already sick of holiday songs, and a I definitely have no interest in the lights any more. If we all just waited a few beats it would just be more special, I think.

.o0o.

Here at the house, we do put up some decorations and lights, because we’re living in a society here and no one needs to know just how weirdly bitter I am about existing. We put up precisely the same three pieces of decoration every year, along with some random lights strung up randomly (currently the front of the house is festooned with purple and orange for Halloween and those will remain up through Xmas so purple and orange are now Xmas colors and I will hear no arguments on the matter).

Strangely, this is comforting. Every holiday I put the same three things up – they’re like friends. We have Plastic Target Skeleton, Mangy, Ragged Black Cat, and Partially Torn Open Pumpkin Light. We have Plastic Wreath From Previous Century, Odd Amish Santa Statue, and Bent and Abused Tiny Plastic Tree. Something about the continuity of it is a balm to me. They’re old, substandard, and not that attractive (in fact, they probably depress Halloween attendance and Xmas party invites from neighbors), but they’re constants in a world that lacks them, so I lean in to that.

Plus, if we didn’t at least string some lights and hang a wreath on the door, The Duchess would knee me in the groin.

Happy Holidays, I suppose is what I’m saying here. The Somers Way is to complain about everything but react in horror to any kind of change, so despite my complaints know that if the house caught fire I would walk through the flames to rescue Odd Amish Santa.

‘Black House’ Full Download

Hey there! So, if you’ve been following along, Black House is all up and done. I’ve really come to enjoy putting up a book one chapter at a time, and I hope you’ve gotten a kick out of reading this one. Or, if you’ve been waiting for the full eBooks to be posted so you don’t have to wait around between chapters, your day has finally come!

I’ll be repeating the experiment here in 2025 — novel yet to be chosen — and hope y’all come back to check out another weekly dispatch of fiction from a writer who obviously has too much time on his hands. Until then, here are the download links for Black House: A Novel!

EPUB | MOBI | PDF

Black House Chapter 44

As has become hallowed tradition, I’ll be posting my novel BLACK HOUSE on this blog one chapter per week in 2024.

44. The Starlight Motel

Motel life had become routine. Picking up his mail at the front desk, Marks waved at Dolores, who worked days behind the front desk. She was a stupid, elderly woman who required three repetitions to answer any question and who had exactly none of the physical skills required for any sort of property management job, but he’d come to regard her with affection because she had never once attempted to lure him into an endless maze of infinite identical rooms, or toyed with him about past sins he only half-remembered.

The motel grounds had become familiar, and he was dreading the day he would have to leave them. The money sewn into his jacket, miraculously still there when he’d checked after escaping the Black House with Dee, had funded a vacation, and he’d used it to rest. To truly rest, to sleep late and eat well (or as well as the bar’s limited menu offered) and not think about survival. He firmed up, his energy skyrocketed, and he no longer resembled a cadaver when he looked in the mirror.

He was down to his final few hundred dollars, though, and it had been months since he’d walked out of the Black House with Dee. He was finally sleeping through the night. It was time to get back to work, find a client, or a job, and re-enter the world. He was oddly at peace with this. As he sorted through his mail, he smiled, catching sight of Dee’s address. She’d written him a few times after discovering to her wide-eyed horror that he didn’t have a cell phone or even an email address. Her handwriting was huge and pressed deeply into the paper, as if writing things out longhand required immense effort.

He pushed his door open, reading how she was enjoying school (not very much) and life with her very distant cousins (not very much either). He could tell, though, that she was happy, or as happy as teen girls ever got, and he felt a sense of pride, and relief. There had been a moment when he feared he’d damned her, killed her—lost her. Several moments, he corrected himself, setting the mail down on the coffee table and kicking his door shut.

He didn’t fool himself that he’d managed to escape with Dee because he was smart. He’d been lucky. The Black House hadn’t really followed any coherent rules, but there had been just enough structure there to make some educated guesses. He wondered if it was normally much more organized, if it was his own muddled brain that had made the House muddled. Maybe people with clear memories and burning regrets experienced a much more tightly focused hell than he had. The only praise he allowed himself was that he’d simply kept at it, doggedly moving from room to room, refusing to just collapse and give up.

He’d rewarded himself by not thinking about Agnes. He hadn’t investigated his own past and identified her, or placed himself missing for several days or weeks at some point in the past. He refused to think about her. However he’d failed the woman who Agnes had been modeled on, he’d let her go, because he knew chasing after her would only result in suffering.

He undressed and ran the shower, shaving and luxuriating in the hot water. For the first time in years, he didn’t feel limited by his lost memories, his lost time. He felt like his brain was working again, firing on all cylinders. The Black House hadn’t been a victory—they’d failed to save Dee’s father, and that made two people Marks had failed to save from that place—but he hadn’t lost Dee, and that was the first thing that felt like a victory in a very, very long time.

He wrapped himself in the thin, itchy cheap robe the motel provided and sat down on the bed. Extracting the last bills from the lining of his coat, he emptied his pockets and did an accounting, down to the scattered pennies. Enough, he thought, for some new clothes, and then he was in the open again, but he’d been living about a sliver above homeless for so long he knew how to work that game. And he felt optimistic. He was sober, for one, and ready to work.

He got dressed. The thin, scratchy feel of his old, worn-out clothes was depressing.

He picked up the mail and extracted Dee’s letter, opening a drawer and placing it in with the others he’d saved. he wasn’t sure why he was keeping them, or what he planned to do with them when he didn’t have a permanent place to live or store anything. He just found he couldn’t simply toss them. He hadn’t read any of them more than once and Dee hadn’t said anything brilliant or notable in any of them, but he liked the fact that someone else in the world knew he existed and thought about him. And he felt like he needed physical evidence of the fact, too.

He knew that very soon she would stop writing. It was inevitable. She meant well, but the letters would start to space out, would become just a few lines saying nothing at all, and would then degenerate into annuals, and finally stop coming at all. He’d made an arrangement with Dolores to have the motel hold any mail that came for him, and he would dutifully take the bus once a month or so and collect any correspondence that came for him. But the fact was Dee was already part of his past, and he of hers, and time erased everything, rubbing its thumb against every line that linked you to someone else until it was gone.

He scanned the rest of the mail, amazed at how quickly you got onto junk mail—

He froze, holding a plain white envelope. The return address read PASSUS, INC., ACCOUNTS RECEIVABLE. His hand trembled as he opened it, tearing it roughly. Inside was a standard invoice. It was blank except for a red stamp across the center of the page: OVERDUE. Attached by a single staple was a white business card:

THE BROKER

PASSUS, INC.

Marks closed his eyes and crumpled up the bill.

The Black House had invited him again.

THE END

EPUB | MOBI | PDF

Well, kids, that’s it – that’s the end! I’ll post complete eBook files next week, and then try to figure out what in the world I’ll post here until it’s time for the free weekly book in 2025.

Black House Chapter 43

As has become hallowed tradition, I’ll be posting my novel BLACK HOUSE on this blog one chapter per week in 2024.

43. The Zelkova Room

“Mr. Marks, I swear to god you are unkillable!”

Marks opened his eyes. He was covered in white dust. He was on the floor. He was holding Dee’s hand; she lay next to him, pancaked in dust. She was facedown, turned towards him, and their eyes met for a second. She squeezed his hand, and then they let go and sat up.

They were in the empty shell of a building. The floor was wide-plank, old-school subflooring, the walls were stripped to the ancient red brick and furring strips. The dust was everywhere, swimming through the air, settling in infinite waves. Wires hung limply from the rafters above, furred with spider webs. It was dark, and cold. There was no sign of the stairs or the opening they’d pulled themselves up through.

In the center of the room was a large, dilapidated chair; an ornate wooden throne, the arms carved into incredibly detailed designs, the headrest an explosion of fine woodwork that had once been painted. The remnants of red cushions clung to the back and the seat. At one point, freshly stained and rubbed with oil, it must have been quite a sight.

Agnes was seated in it, slumped down, her long legs crossed under her skirt.

Marks thought she looked beautiful and finished, as if whatever transformation she’d been undergoing was finally complete. She only resembled the woman he remembered in the vaguest of ways, like a copy of a copy of a copy, each successive run through the cosmic copy machine rendering her lines less distinct, her edges softer, her legs longer.

Dee started coughing. The moment she did, he wanted to join in; his throat was suddenly dry and scratchy, filled with deep grooves and sand. He swallowed and struggled to his feet.

Standing, he could see there was something behind the chair: A small leafy tree, a miniature tree like a bonsai, growing out of the floorboards. It looked like a model of a tree: The thick, gnarled trunk, the delicate branches, the tiny leaves.

“Bravo, Mr. Marks,” Agnes said, miming applause. “It only took you two rounds, but you have succeeded at long last!” She leaned forward. “In the sense that you didn’t kill her this time.”

He looked around. A tiny flame of excitement bloomed; the place had the right dimensions, and looked normal, looked real, like an actual building. He pictured the place he’d stepped into with Dee. It matched up with a mental image of what it would look like gutted, torn out. “Why are you here?”

Agnes affected shock. “Why, to congratulate you, of course, Mr. Marks! And it is also only polite for your host and guide to see you out.” She lifted one elegant arm and indicated the door behind her. “There it is, the exit. Dearest Damnable Dee, please do go; there is much to do here and there is nothing worse than a lingering guest.”

He turned and looked at Dee, who stepped closer to him. After a moment he held out his hand, and she took it. “Worth a try, right?” he said, offering her a careful smile.

“Worth a try,” she said quietly. Then she frowned and turned to look at Agnes. “Marks, too, right?”

Agnes pouted, her face transforming into a mask of false sadness. “I’m injured,” she said. “This experience has hardened you, Delightful Dee, and made you cruel. You are free to go. You escaped the Black House before it collapsed, but now it must bloom again, it must be made ready for the next guest. You have my word, whatever that is worth, that you are free to go. Merrily Moribund Marks, however, has an obligation to remain.”

Marks looked down at his feet and his ruined shoes.

Dee reached up and grabbed his collar, trying to drag him down to her height. “Why? What does she mean?”

Agnes shrugged. “There are rules. That is the structure of the universe. Everything must obey rules, and this place is no exception.” She smiled, gorgeous, too many teeth, too white, too wide. “If it is any consolation, Mr. Marks, if you had been just a second or two slower, you both would have been crushed and trapped forever, as have thousands before you. So, bravo to you! BRAVO!”

“How many get out?” he asked, stalling for time. He looked at Dee. She peered up at him intensely, still clinging to his jacket.

“Not many. A few.” Agnes gestured again. “Go on, now, Dee. Don’t be like a beaten dog who refuses to leave out of pathetic loyalty.” She cocked her head at Marks and slowly settled again, smiling. “Ah, I see. You still do not fully remember her.”

He swallowed dust and stale air. “I remember enough.”

She winked. “But not all of it.” She sighed, prettily, and made a show of arranging her dress. “Did you love her? Did she love you? Did she trust you, as Dear Darling Dee does? You were a drunk, then, were you incompetent? Did you save yourself and let her rot?”

“Is she still in there?”

Agnes paused and looked at her lap. “You wish to know?” She looked up, impish. “Really? You will have the time to find out. Unencumbered by silly, empty-headed little girls like Delightful Dee. You will have nothing but time to seek the truth.”

He stared back at her for a few moments, then dropped his gaze. He pulled gently on Dee’s arm. “Go on,” he said.

She didn’t move for a moment, then let go of his jacket and took his hand in hers. “Don’t let go,” she whispered, and turned, pulling him after her.

The door looked right, too. He was surprised at how faded his memory of arriving at the place had become, but that was the way his memory worked, ever since his Lost Years, years spent in bars, drinking compulsively, obliterating days and weeks and months, all of it a blur. Nothing stuck, nothing stayed clear for long.

He turned and looked back at Agnes as Dee led him forward. “What happens to you?”

She smiled. He thought it was almost a sad smile. Almost.

“I will be here, of course, in a sense. I am your guide, Mr. Marks. You will leave and the Black House will reset, and I will still be here—but I will be different, in every way.”

“Do you remember?”

Her smiled faded. “Some.”

“So we have something in common.”

For a moment she looked disturbed by this, the slight downturn of her perfect features implying a frown. Then she recovered, laughing, throwing her head back. Her laugh was musical.

“Do not fret, Mild Mannered Marks. Do not worry for me. We shall see each other again. You will forget. You will forget. We will try again.”

Dee dragged him towards the door.

He swallowing hard, still looking at Agnes. “How many times have I been here?”

Agnes shook her head and looked away, as if preoccupied with something on the far wall. Marks stood his ground for a few moments, then allowed himself to be pulled towards the door, turning, his face ashen.

The door opened. Easily, naturally, and the street was beyond it, as it had been. It was raining, and cold.

Dee paused and for a moment they stood framed in it, holding hands.

“Go on,” he said. “I’ve got a debt to pay.”

Dee nodded. “Don’t let go,” she said again, and stepped forward.

Marks didn’t move, but he found himself dragged forward as if greased. As Dee marched through the doorway, he slid behind her, pulled along in her gravity well.

Behind them, he heard the rustle of skirts. “What? Mr. Marks! Mr. Marks you have an obligation! You have agreed to terms!”

As Dee pulled him through the doorway, he could feel heat and hear noise building up behind him, and he closed his eyes as they were replaced by the cold and the damp and the feeling of open space, infinite and exploding outwards in every direction at once, the smell of the city and the real world he’d thought he’d lost.

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