Fiction

The Very Merry Pranksters

I

Henry stared at the coffin, and thought about killing his wife.

The room, perfumed and stuffy, was filled with the blurry sound of chat, a hundred polite conversations going on simultaneously. Ted the Infinitely Wealthy had passed away suddenly, shockingly, and his death seemed unreal to everyone in the room, one of Ted’s famous pranks, and everyone half-expected Ted to pop out of the coffin with a bottle of champagne and demand that everyone dance. The closed coffing added some weight to this delerium, as everyone secretly wondered if it was maybe filled with sand, or someone elses body entirely. It was a meme that jumped from person to person without being spoken, mysteriously, and the whole room was making idle chatter while thinking, ashamed of even the thought, that maybe Ted the Infinitely Wealthy had not died of a sudden aneurysm after all, that maybe he was hiding somewhere, watching them all on closed-circuit TV, laughing.

Ted had done similar things in the past. Henry put his wife out of his mind for a moment, recalling some of the pranks. He’d never found them very funny, personally; pranks always seemed mean-spirited to him, as if it wasn’t bad enough that Ted the Infinitely Wealthy was so infinitely wealthy, he had to treat everyone around him like they were players in his personal troupe, entertaining him with their antics. To Henry’s thinking, the frequency and complexity of Ted’s pranks had increased in direct proportion to how ruined by money he’d become. Ted had always been rich, born rich, but as a kid his terrible home life—a nasty divorce, a father who’d kept his mother and Ted in near-poverty as they sued and counter-sued each other over support—had made him a moody, melancholy, but grounded individual. When he’d finally come into infinite wealth on his eightteenth birthday, it hadn’t seemed real for some years, and he lived simply, Henry remembered, for some time after that. Slowly, though, the money had crept into his life. The pranks had begun as good clean fun, an acknowledgment that Ted was rich and could do amazing things if he wanted. As time went on, though, Henry had detected a streak of meanness in the pranks, and in Ted.

Faking his own death, Henry thought suddenly, actually wasn’t out of the realm of possibility.

He went back to staring at the coffin and thinking about killing his wife.

The coffin sat on a raised dais, surrounded by flowers. A large picture of Ted the Infinitely Wealthy was displayed on a stand, a smiling, tanned young man with thinning hair and a growing paunch, dressed casually. Henry couldn’t tell where the picture had been taken, but it looked recent, and gave the impression that Ted had been caught by surprise, turning suddenly and smiling reflexively when he saw the camera. The effect of pleasant surprise was so perfect, Henry thought it gave credence to the idea that the whole death and funeral business was faked, that the photo had been taken a week ago in preparation.

Henry glanced down at his hands, which he’d cupped soberly so he wouldn’t have to worry about them.

Behind him, he could hear the soft whispering of his wife and Gina Gerrano, usually referred to as The Tart—another in a long series of silly nicknames acquired during college and never abandoned, Henry thought, despite their advancing middle-age and the sheer ridiculous weight of them. He could still refer to The Tart in the company of old college cronies and be instantly understood, just as he could refer to TIW and everyone knew he was referring to Teddy. The origins of these names were sometimes famous stories, recounted endlessly, and were sometimes lost to memory. Henry himself was known as The Hick. He’d never liked the nickname, though he’d pretended to for many years. He’d launched a campaign to discourage its use, but no one took him seriously about it.

His wife, who’d gone to a different college and didn’t like many of his friends, thought the whole nickname thing was silly and didn’t hesitate to tell him so. Her name was Miranda. All of Henry’s friends called her The Shrew when she wasn’t in the room. Henry had taken to thinking of her as The Shrew, and when he spoke about her to his friends he called her by that nickname.

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Watch the World Die

This story was published by From the Asylum many, many moons ago – in fact, the webzine no longer exists. I got paid $25, which I immediately spent on whiskey and regret.

Watch the World Die

HE sat on the hood of his car with an unlit cigarette in his mouth, a waxy, unkempt youth in Jeans and flannel, grinning. It was cold and crisp but not windy, a photograph to walk around in. Closer to the wreckage, it was warmer.

The highway had become still as well, a stretch of frozen motion. Behind him cars lined up in quiet rows, in front they were smoldering in quiet, jangled piles. Amongst them, people picked their way carefully, small and tender, some with dazed and jellied expressions, some with cool, detached demeanors. He watched them calmly, the familiar fines of the old Malibu slowly rusting beneath him.

Someone approached from behind and paused to stand next to him, but he didn’t turn to look at the newcomer, a bland young man in loose, easy clothes. His eyes, however, turned slightly, and then flicked back again.

“Did you see it happen?” the young man asked.

“Yep,” he replied.

There was a quick, elastic silence.

“Got a light?”

He smiled around his unlit cigarette and shook his head. After a moment, the bland young man shuffled away.

Abruptly, the end of his cigarette flared and caught fire, a jolly red coal glittering in the night. He took a deep drag and let a great gust of white smoke out into the air. He watched a tall State Trooper approach, his face nothing but vacant disinterest.

The trooper was tall and lean, dark and grim. Be held an open pad in one hand and a pen in the other.

“I’ll need to take a statement.”

The man sitting on the car nodded. “The red car, the Mazda, exploded,” he said with blank enunciation. “Just burst into flames. I’ve seen it before.”

“You have?” the cop asked.

“Many times.” A smile filled his face.

The cop nodded and pretended to write this down on his pad. “Could I have your name, sir?”

“The Mazda,” the man continued, “was driving like an asshole, weaving around, high-beaming everyone. It was really irritating. The asshole refused to see that there was nowhere to go, no one had anywhere to go.”

The cop pursed his lips. “Your name, sir?”

The man turned his bloodshot eyes up to the cop. “Sorry. Daniel. Daniel Eggert.”

Writing this down dutifully, the trooper didn’t glance up. “Did you see what caused the accident, Mr. Eggert?”

Eggert smiled around his cigarette. “I just told you: it burst into flames. The Mazda. The red one.”

This time the cop did look up. “Just like that?”

Eggert nodded cheerfully. “Just like that.” He shrugged. “That’s the way it always happens; once the gas tank catches, it’s too late.”

“I’ll bet.” The trooper had a bad feeling about this guy, but couldn’t put a finger on it. His eyes slid down. “This your car?”

Eggert glanced over the cop’s shoulder. “1973 and it runs like new,” he agreed.

The trooper glanced at his pad as he wrote the tag down. “Thanks for your help, Mr. Eggert.”

Eggert nodded, once. “Not a bit of it,” he said.

####

Driving home, Daniel Eggert studied himself in the rear-view with an unflinching gaze. The road was empty and dark and he drove by instinct, thumbs nudging the wheel carefully. His pale face shone in the glass, bright and smooth and framed by dark hair that blended into the dark, leaving him a moon in a constantly shifting night.

After a moment, he reached over and shut off the headlights. Dark snapped in, but his face still shone.

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Plotting and Chum

BUY ME

BUY ME

So, as mentioned previously,  in August I’ll be presenting a seminar on plotting a novel, much to the horror of many, many teachers, scoutmasters, and other authority figures I’ve known throughout my long-departed youth. To say that many people expressed doubt about my abilities to succeed in life would be an understatement. That happens when you discover alcohol at the age of thirteen and immediately take up residence on street corners for lengthy periods of time.

Still, I showed them! I am on the agenda of a major writing conference. Of course, this makes me sweat: As we all know, I take a certain, shall we say, casual approach to life in general. How do you teach something when your process involves getting blackout drunk and then being vaguely surprised at what you find in the morning?

ENTER CHUM

Well, I’ve been looking back on my mighty works and considering how I actually plotted them out. Chum was written (in its original form) in 2003, taken on by my might agent in 2004, re-written a few times along the way, and sold to Tyrus Books in 2013. With a story like that, it can’t be surprising to hear that the plot process on this book was complicated, mainly because I never really considered plot at all.

Chum is, I think, an unusual book: It has a transforming event buried in there, the Big Moment that everything revolves around, but it doesn’t really follow any recognizable model for plot at all. There’s really no rising action, no denouement. It’s told from various points of view and various moments in time, and the points of view vary wildly in states of inebriation and information.

So how did I plot this? I didn’t.

I started off, as usual, with a vision: The opening scene, which is fairly innocuous and humorous, with a slight spice of ominous — and then I saw what the Big Event was. From there, I simply slipped into the heads of my characters and explored what they might have seen, inferred, or eavesdropped, and what would happen to their relationships as a result.

It’s actually an approach to writing that I attempted once before, when I was much younger, in a novella titled “Shadow Born” (let’s not mock me and my titles; I will stipulate that my love for faux-poetic titles is awful and horrible and I am trying to be better about it, promise). The older novella was the story of a rape at a college party and explored how people hear about it, suspect it’s happened, and react to certain knowledge of it. It wasn’t entirely successful, and today feels like Juvenilia, but it felt like there was power in that engine.

Results May Not Be Verifiable

I don’t employ this kind of narrative trick often, because it’s more likely to collapse into a heap of chaos than yield a tight, interesting novel. Chum works because the characters came to life – at least to me, although I now have a few other people, some of whom paid me money, who seem to agree. If the characters had seemed flat or boring, we would have been in a lot of trouble. As a result, this isn’t really an approach I can recommend to newcomers to the novel game – although hey, you never know.

Other novels I’ve plotted differently, including a lot of “Pantsing” and a bit of “Plotting,” though the latter is usually only when I’m forced to. Both have worked for me, but I have to say: Plotting Chum was probably the most fun I’ve ever had plotting a novel out.

These days my plot technique involves alcohol and guesswork. And cats. Cat butts on my keyboard seem to be the secret sauce for my recent novels, actually.

Jersey City Writers

SO, last night I was invited to speak at the first-ever Genre Night for Jersey City Writers. Now, I was born and raised in Jersey City and I currently live a 5 minute walk away from that city, but when I was a kid it didn’t have writer’s groups. It had gangs, yes, and Boy Scouts. But no writer’s groups. So this was exciting stuff.

The event was held at the Freshly Baked Gallery on Monmouth Street in JC – it’s a delightful little space in the middle of a sleepy block in a newly revitalized area of the city. If you click through you’ll see a lot of really neat pieces – The Duchess and I were really intrigued by a couple of them.

Naturally, I was awkward. We walked in and after greeting Meg Merriet, who organized everything, The Duchess and I sat up front trying to look casual while an alarmingly large crowd filled the space. I turned to the Duchess.

“Think there’s a window in the back I can fit through? I’m terrified. I think I just wet myself.”

She slapped me violently and warned me not to embarrass her in public.

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Glad and Big

The cover glows in the dark!

The cover glows in the dark!

“Glad & Big” was the first story I ever sold for real, actual money. Written in 1993, it was published by Aberrations Magazine in issue #34 in 1995. I was paid 1/4 cent a word, or $7.50. I never cashed the check and still have it. In 2014 dollars that’s $12.19. By the time I die I hope it hits at least $20 so I can start saying “I got paid $20 in today’s dollars!”

This is very clearly, to me, an early story, right down to the narrating protagonist who happens to be a bitter writer, because all lazy writers make their characters writers as well, because we don’t know anything about anything else.

——————————–

Glad and Big

Life at Lee’s on second street had a pattern, one I liked well enough. It sucked at my heels with insistent attraction, pulling me back despite the heat and the same old people and the wooden seat worn smooth from years of my weight.

We usually played cards at the small square table in the big bay window, eating Lee’s filling specialties and drinking, smoking cigarettes, and ignoring everyone else. Sometimes I tried to stay away. It never worked. I always needed a drink and the only place to get one was Lee’s and my seat was always open.

That night it was raining and I felt pretty good. The conversation wasn’t too bad and it was warm inside, I was half-tanked all night and I had three packs of cigarettes to get through. Even in a crummy bar and grill like Lee’s, being inside with friends on a rainy night is a special kind of thing. Even being inside with people who drove you crazy like I was was still not bad.

###

It was an old, run-down place owned by a hundred different people so far, with a truckload of future owners down the line waiting to be suckered. You walked in, the old hardwood floor creaking beneath your feet, and the bar stretched off to your left, far too long, too far into the shadows, built in more optimistic times when booze was cheaper. Tables and the rickety wooden seats they required filled the rest of the floor, never crowded but always occupied.

The walls were three generations of photographs, mostly black and white. They stretched back into the past too far to be remembered; now they were meaningless portraits of people we’d never met, moments in time we couldn’t interpret. They wrapped around the back wall and behind the bar, big and small, some dated and some not. We each had our favorites.

Nelson, the crotchety old bastard, had a soft spot for Helen. She was a brooding, sad-eyed young girl in a bullet bra and a tight, tight turtleneck, sipping coffee, framed by the bay window. She had a Sixties hair-do and in the corner she had written “to Tony – always – Helen.” The steam rising from her coffee, the way she glanced away from the camera. It entranced the old fuck.

Terry liked the one with the big crowd. It was one of the oldest ones, and it showed old Lee’s filled with smiling, jostling, shoving people. There was pandemonium in that picture, static chaos. We all theorized that it had been taken just before a riot, just before the taps ran dry and drove the proles crazy. Terry didn’t have too much chaos in his life, but he desired it. The picture made him feel like it was all at his fingertips.

Me, I like the picture that had to have been the first one there, right behind the bar, framed. It was a dour, lean man wearing a bowler cap and a white apron, leaning behind the bar and staring at the camera fiercely. A small plaque on the frame declared him “Mr. Lee.” The first owner, I guessed. His name survived but not his memory – if asked I liked to say I thought he’d died in the great tapped keg riots of Terry’s picture. We were the only ones who got it, but then we were the only ones who mattered.

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Free eBooks

SO, in my ongoing attempts to draw your attention to my novel Chum, out from Tyrus books on 9/18, I’ve put together two free eBooks over one Smashwords that are either directly or tangentially connected to Chum:

Up the Crazy by Jeff Somers - a Lifers/Chum crossover.

Up the Crazy by Jeff Somers – a Lifers/Chum crossover.

Up the Crazy is a crossover short story. Crossover of what? Well, Chum and my first published novel Lifers share a universe and, briefly, some characters. They also share some scenes and characters from other novels I wrote, but since those remain unpublished they remain Novels Whose Titles Shall Not be Mentioned As They Are Meaningless to Everyone Not Named Jeff Somers.

So, anyways, I thought it would be fun to explore one point where the stories of Chum and Lifers intersect a bit a more fully, and wrote a “deleted chapter” from Lifers. It’s not necessary to have read either book to enjoy the story. Here’s a few lines from it:

“Trim, naturally, had a complete speech about Florence, the kind of speech Trim gave from time to time that convinced you he had dossiers on all of us with pre-canned speeches prepared for all occasions. The speeches were also curiously filled with strange stresses and obscure words and this also led me to believe they were basically toneless, rhythmless, rhymeless poems, the kind that Trim specialized in.

Florence, Trim told me, was too much woman for most men. She was tall. She was busty. She was, he insisted, a giantess – everything in proportion, but simply too much of it. It was overwhelming for most men, he said. Add to that red hair and a fuck yeah Florence! kind of attitude which gave her incredible confidence despite being a girl Trim was certain had been mercilessly mocked in her school days for being three or four times normal size, and you had a girl who intimidated all the men in her life and was therefore inexplicably single.”

American Wedding Confidential by Jeff Somers

American Wedding Confidential by Jeff Somers

American Wedding Confidential is a collection of essays from my zine The Inner Swine about the weddings I attended. I’ve been to a lot of weddings, at first as a sort of gigolo emergency wedding date for my single girl friends, and later as escort to The Duchess as everyone we knew in the universe got married one after the other. Weddings are, generally speaking, the most horrible way you can spend an evening, so I started writing darkly humorous essays about my experiences. Fifteen of them are collected here.

Why? Well, a lot of the action in Chum takes place at a disastrous wedding, so there’s your tangential connection. That’s about it, really, although you can well imagine that much of my inspiration for the wedding scenes in Chum came directly from my terrible experiences at the weddings described in American Wedding Confidential.

Here’s a sample:

 “I may have forgotten to explore an equally important facet of the swinging gigolos wedding experience: the dark side.

Oh, it’s there. I didn’t think so myself until a few years ago. Behind the free booze, between the drunkenly wanton bridesmaids, hidden by the blinding light of the camera capturing the Loco-Motion forever, eternally, winks the grinning leer of The Darkness, waiting for some sucker in a bad suit like me to innocently wander in. I started my long, slow walk into the darkness when Insane Co-worker #23 invited me to her friend’s wedding one day, about five minutes after she’d told me she liked me a whole lot and I’d blithely given her the memorized and oft-used (believe it or not) “we’re better off being friends but I will always be there for you” speech. Usually when I give that speech I mean it, and I meant it at that moment; even though I am running the other way as fast as I can whenever someone wants to date me, I usually do want to be just friends.

I hadn’t yet realized that Insane Co-worker #23 was, well, insane.”

Chum by Jeff Somers

Chum by Jeff Somers

Huzzah! Both are absolutely free and available in whatever format you prefer — go for it! Both are also rather poorly formatted and rife with errors, but then you wouldn’t expect anything less from me, would you? Now, go buy Chum before I burst into tears.

CHUM’s Cover

Designed by Frank Rivera

Chum by Jeff Somers

Here’s the Fab cover for my next novel, Chum, due out from Tyrus books on 9/18/13. Chum is a darkly comic novel about marriage, mayhem, and murder, told from multiple points of view and revisiting events from different POVs throughout the book.

When I first saw the cover I wasn’t sure what I thought, frankly – it seemed very stark and the roughness of the art on the bottles threw me. But then I got it, and realize how great this cover is.

It’s stark so it stand out as a thumbnail when people are scrolling on web sites or their phones.

It’s rough because the story is rough. The characters have jagged edges. The language is, er, salty (would you expect anything else from me?). There are literally – literally – no good people in the whole story. One or two people think they’re good, but they … aren’t.

And the off-center “U” in CHUM? Genius. It’s drunken and unpredictable.

So, my gratitude and respect to Frank Rivera who created this cover, and to Tyrus Books, for packaging my work so well. We’re gonna be good friends, I think.

 

And, without further comment:

Chum by Jeff Somers

The Inner Swine Volume 11, Issue 3, The Entire Issue

A few years ago I wanted to challenge myself a little with my zine project, so I decided that the next issue’s theme would be minutiae and then I decided that the issue would eschew formal articles and just be a stream-of-consciousness examination of the minutiae of my life. I think it kind of worked. So, here’s the entire issue of Volume 11, Issue 3 of The Inner Swine, which published in September, 2005. It’s about 25,000 words written by a guy I no longer am.

Minutiae. I am standing on the corner of 30th street and 7th avenue, desperate for coffee. I’m here just about every weekday, on my way to work, and I buy my coffee from a very pleasant Arabic man in a cart. I like his coffee, and he’s incredibly friendly. For the past ten years I have bought all my coffee from these sorts of carts in New York City, and the coffee is always good, the carts always owned by Arabic men, and these Arabic men are always very friendly. I’ve been in other cities that have no equivalent to the coffee cart on the street, places where you have to purchase your coffee from someplace horrible, like Starbucks, or Au Bon Pain or something. That’s not civilization. That’s corporate domination. What this country needs is more Arabic men selling cheap but delicious coffee out of metal carts.

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“A Meek and Thankful Heart” in Buzzy Mag

Watch the skies, er, the Internet tomorrow, kids. I’m told my short story A Meek and Thankful Heart will be appearing on Buzzy Mag’s site (http://buzzymag.com/) tomorrow. Of course, they also told me it would be appearing on 6/7 and then nothing. On the other hand, they actually paid me for this one, so one would think they must do something with it.

A Meek and Thankful Heart is the second story I’ve published about the character of Philip K. Marks. The first was Sift, Almost Invisible, Through which appeared in the Crimes by Moonlight anthology, edited by Charlaine Harris.

I’ll post an update when it’s live, but keep your eyes peeled. I’ll also be monitoring the comments section and responding to reactions and questions.

The Hollow Men

I wrote this a loooong time ago when I was really, really young. AND IT SHOWS. Still, I have some affection for this piece.

The Hollow Men

The Syndicate

Mind-eaters and soul-stealers, drug-dealers and drop-outs, minor miracles for small-time sinners, endless cycles and mean gray walls: It squatted gray and lifeless against the moon-lit horizon, behind a chain link fence designed to contain giants, to repel behemoths, soaring up beyond reason. It squatted three stories high, speckled in graffiti, grinning lopsidedly with teeth made up of windows which didn’t open. We stared at it long enough, surprised, I guess, by how strange it looked at night. I sucked on a cigarette, waiting for someone to move, feeling the wind stick its fingers into me, testing the surface tension.

The fence was easy. There had been talk, back when I’d been a freshman, of putting wire up on top of the fence. But it had never materialized, and the fence remained toothless. It was easy. Get a good running start, jump, grab hold, get set. pull up, hand over hand. Flip your legs over, brace yourself, and drop down. Less than a minute, and we stood panting in the courtyard.

There were four of us. Me. Gail, in black jeans, boots, and leather jacket. Henry, in front as always, blue eyes and little else. Kevin hulking in the rear. Our breath steamed in front of us nervously. We were surrounded by broken rules, swimming in the thick grease of guilt, and all we could do was smile at each other. It lay shattered at our feet and we grinned at our reflections in the shards and reveled that we had the power to cause it. Then Henry took off and we followed.

The side boiler-room door out back was still propped just so slightly open. Bill the mumbling old man who cleaned the place on good days hadn’t bothered to check it, as usual. Old bill could be counted on for two things: to be asleep by two every day, and to steal dirty magazines from our lockers. With that he was clockwork.

We slipped in and shut it behind us, making our way out of the works and into the lockers, dark and damp, foreign all of a sudden. We didn’t take our time. Working on fear and determination, we cut through the halls by memory and broke into the printing office with Henry’s screwdriver -push, pull, watch for falling wood chips.

I grabbed the paper, three packs of five hundred, from the side closet. Gail prepped the copier and set it up. The whine of its warm-up was ear-shattering. Kevin searched for the copy codes, popping open desk drawers with hard snaps of his own screwdriver, finally digging them up. Henry just watched, smoothing out the original.

Gail stepped back, Kev punched in the pass code, programmed fifteen hundred, and I loaded up the paper trays. We turned to Henry, and he was just grinning, watching us, looking crazy, his flashlight pointed up at his face and all the wrong shadows around his eyes. Then he slapped the page down and pressed start. The room filled with snapshot lightning, and we waited, getting nervous. nothing happened. Minor miracles for small-time sinners.

Done, we split up. We papered the place. We had to wade through papers to get out. Outside the gate, we checked time. Twenty minutes, exactly. henry joked that it took him longer to take a shit. It was his way of complimenting us. Then we each went home and forgot we’d seen each other.

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