So, this essay is going to be about the film Ted, directed by Seth MacFarlane of Family Guy fame and co-written by him as well, starring Marky Mark and Mila Kunis. You may have seen it two years ago when this essay might have had some cultural relevance.
Anyhoo, I was thinking about this movie again for reasons impossible to explain. It’s not a terrible movie. Like all of MacFarlane’s work, it has flashes of quick wit and even brilliance muddied up with poop jokes and a frenetic over-reliance on the flashback. Still, all in all I enjoyed it. Except something has always bugged me about Ted. Something’s always been a bit off. Can you put your finger on it?
The titular Ted in this movie is an enchanted teddy bear who magically comes to life. But he completely, totally, absolutely does not need to be.
The Courage of Your (Writing) Convictions
Let’s consider this. No, seriously, let’s. There is absolutely no story reason that Ted has to be a magical teddy bear. None. Let’s play a thought experiment: Imagine watching this movie, and Ted is replaced by a CGI Benny Hill. Everything except some minor dialog would be exactly the same: Marky Mark and Ted become friends as children, Ted has some brief fame (for a reason other than being a magical teddy bear, of course – stay with me here), and Marky Mark’s girlfriend is fed up with their immaturity and lack of focus.
Every single plot point and scene still works with Benny Hill instead of a teddy bear. Every. Single. Plot point. Even the kidnapping at the end makes sense if we assume that Giovanni Ribisi’s character is just insane. Which, since he’s being played by the always-disturbing Giovanni Ribisi, we assume he is. Heck, even the one liners and jokes generally wouldn’t have to change, or not change much.
So why is Ted a teddy bear? Why bother when the movie’s really a buddy film about two friends finally taking the plunge into independent adulthood? I can only speculate, but I think he maybe didn’t trust his material.
I’ve done that: Dressed up a story as something else because I didn’t think I had anything funny or exciting to say. Turned a detective story into a SF story, a love story into a horror story, all because I thought I needed a lot of scares and flashing lights to keep people’s attention. I can’t say that Seth MacFarlane did that. Maybe he had a meeting with your typical Hollywood Producer:
MacFarlane: I have this idea for a coming-of-age comedy starring Marky Mark.
Producer: I am so stoned right now you appear to be a magical talking teddy bear.
MacFarlane: Okay … uh, it’s really warm and witty with my trademark –
Producer: This briefcase is filled with cocaine and cash. You can have it all if you make a movie about a talking toy bear. Otherwise I will dedicate my life to destroying you professionally.
MacFarlane: … SOLD!
You know it’s possible. In fact, I am now 100% certain this is exactly how Ted – and several other recent Hollywood films – came to be. My only question is, why won’t someone with a suitcase filled with cocaine and cash show up and force me to make films from my books?